Tracklist
Ol' '55 | 3:55 | ||
I Hope That I Don't Fall In Love With You | 3:52 | ||
Virginia Avenue | 3:22 | ||
Old Shoes (& Picture Postcards) | 3:41 | ||
Midnight Lullaby | 3:10 | ||
Martha | 4:26 | ||
Rosie | 3:56 | ||
Lonely | 3:11 | ||
Ice Cream Man | 3:05 | ||
Little Trip To Heaven (On The Wings Of Your Love) | 3:55 | ||
Grapefruit Moon | 4:46 | ||
Closing Time | 3:58 |
Credits (26)
- Jerry YesterArranged By [String Quartet Arrangement]
- Arni EgilssonBass
- Bill PlummerBass
- Tom WaitsCelesta
-
Jesse EhrlichCello
- Cal SchenkelDesign [Package Design]
Versions
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138 versions
Image | , | – | In Your Collection, Wantlist, or Inventory |
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Closing Time
LP, Album, PR - Presswell Pressing
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Asylum Records – SD5061 | US | 1973 | US — 1973 |
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Asylum Records – SD5061 | US | 1973 | US — 1973 |
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Asylum Records – 5C 062-94247 | Netherlands | 1973 | Netherlands — 1973 |
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Asylum Records – 0C 062 ◦ 94247 | UK | 1973 | UK — 1973 |
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Asylum Records – CS-5061 | US | 1973 | US — 1973 |
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Asylum Records – IAP-80856 | Japan | 1973 | Japan — 1973 |
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Asylum Records – SD5061 | US | 1973 | US — 1973 |
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Asylum Records – TP 5061 | US | 1973 | US — 1973 |
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Asylum Records – SD5061 | US | 1973 | US — 1973 |
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Asylum Records – SD5061 | US | 1973 | US — 1973 |
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Asylum Records – SD5061 | US | 1973 | US — 1973 |
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Asylum Records – IAP-80856 | Japan | 1973 | Japan — 1973 |
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LP, Album, Test Pressing
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Asylum Records – IAP-80856 | Japan | 1973 | Japan — 1973 |
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Asylum Records – SYL9007 | New Zealand | 1973 | New Zealand — 1973 |
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Asylum Records – SD 5061 | Canada | 1975 | Canada — 1975 |
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Closing Time
LP, Album, Reissue, Don Mills Pressing
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Asylum Records – SD 5061 | Canada | 1975 | Canada — 1975 |
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Asylum Records – SD 5061 | US | 1975 | US — 1975 |
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Asylum Records – SD 5061 | US | 1975 | US — 1975 |
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Asylum Records – SD 5061 | UK | 1976 | UK — 1976 |
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Asylum Records – P-10242Y | Japan | 1976 | Japan — 1976 |
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Asylum Records – SD-5061 | US | 1976 | US — 1976 | ||||
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Asylum Records – P-10242Y | Japan | 1976 | Japan — 1976 |
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Asylum Records – SD 5061 | UK | 1976 | UK — 1976 |
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Asylum Records – SD 5061 | Australia | 1977 | Australia — 1977 |
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Asylum Records – M5E 5061 | Australia | 1977 | Australia — 1977 |
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Asylum Records – AS 53030 | Ireland | 1978 | Ireland — 1978 |
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Asylum Records – AS 53030 | Ireland | 1978 | Ireland — 1978 |
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Asylum Records – SD 5061 | 1979 | — 1979 |
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Asylum Records – SD 5061 | 1979 | — 1979 |
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Asylum Records – SD 5061 | UK | 1982 | UK — 1982 |
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Asylum Records – 53030 | Spain | 1985 | Spain — 1985 |
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Asylum Records – MB 453030 | Spain | 1985 | Spain — 1985 |
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Elektra – 5061-2 | US | 1990 | US — 1990 |
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Elektra – 5061-2 | US | 1990 | US — 1990 |
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Elektra – WP-3993 | Japan | 1990 | Japan — 1990 |
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Elektra – CD 60836 | Canada | 1991 | Canada — 1991 |
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Asylum Records – 7559-60836-4 | Poland | 1994 | Poland — 1994 |
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Elektra – WPCR-349 | Japan | 1995 | Japan — 1995 |
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CD, Album, Reissue, Unofficial Release
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ООО "ДОРА" – JPCD9707447 | Russia | 1997 | Russia — 1997 | ||||
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CD, Album, Reissue, Unofficial Release
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ООО "ДОРА" – JPCD9707447 | Russia | 1997 | Russia — 1997 |
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Recommendations
Reviews
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referencing Closing Time (LP, Album, Reissue) AS 53 030
Got it second hand. Sounds amazing. Great and surprising pressing -
Edited 24 days agoUnsure how much I prefer this mastering to the 1990 CD.
It has the tape hiss pulled back significantly and I've definitely been able to notice things I've never been able to, but I feel like a noticable amount of air has been removed
The original CD has way more tape hiss than I would expect for a record from 1973 though. Did whoever mastered the original CD make the transfers with Dolby A or without? I don't know if I can name any albums from this era with this level of tape hiss and it's sorta out of the ordinary imo.
This one is more compressed but I don't think you should worry abt that on this record.
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The paper for the booklet is a weird sandpaper-like material and got fingerprint smudges instantly -
Edited one month ago
referencing Closing Time (CD, Album, Reissue) CD 60836
Unsure how much I prefer this mastering to the 2018 CD.
The 2018 has the tape hiss pulled back significantly and I've definitely been able to notice things I've never been able to, but I feel like a good amount of air has been removed.
The original CD has way more tape hiss than I would expect for a record from 1973 though. Did whoever mastered the original CD make the transfers with Dolby A or without? I don't know if I can name any albums from this era with this level of tape hiss and it's sorta out of the ordinary imo.
I really think if you're trying to find the best version of this record you should listen to both to find your preference. I think i'm gonna get rid of my beat up 1990 canadian disc and keep the 2018, but you really should decide for yourself on this one instead of just reading some online opinions.
The 2018 disc is more compressed but I don't think you should worry abt that on this record. -
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My runouts are an exact match to this listing except that my vinyl is thankfully not clear. It is black and not translucent. As of now I can’t find a separate listing for black vinyl but that’s ok.
It is a great album and a very good pressing in my opinion. -
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Completely agree with comments below. This just does not sound good. Muffled, no dynamics. I have this European reissue https://discogs.pelisguay.com/release/3139274-Tom-Waits-Closing-Time which is both cheaper and better.
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Edited 3 months agoWonderful album. A 2am special. After six large whiskies you might not notice, but this is indeed a lousy pressing. The crackling on I Hope That I Don’t Fall In Love With You is so noticeable that it almost feels deliberate. And the vocals are muffled.
As I say, at 2am you might not notice, but it’s a shame nonetheless. Compare this to the recent Mule Variations Silver edition and it’s night and day. -
referencing Closing Time (LP, Album, Reissue) AS 53 030
Anyone know when this album was pressed? It’s not clear from the above info. -
referencing Closing Time (2×LP, 45 RPM, Album, Limited Edition, Reissue, Remastered, Stereo, Transparent, 180g) 7974-1
I have to agree, this is exactly the same you get on the 2018 Remaster.
I couldn't tell one from the other.
So it's not bad, but there is absolutely no added value. Not even additional artwork as the the gatefold just has the lyrics printed on the inside instead of an inlay.
Okay, some may consider the necessety to lift your fine self out of the armchair three times instead of one as a nice addition to your personal workout scheme. I don't ...
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