The BeatlesSgt. Pepper's Lonely Hearts Club Band

Label:

Parlophone – PCS 7027

Format:

Vinyl , LP, Album, Reissue, Remastered, Stereo , Remix, ½ Speed Master, 180 Gram, 50th Anniversary Edition, Gatefold

Country:

US

Released:

Genre:

Rock

Style:

Psychedelic Rock

Tracklist

A1 Sgt. Pepper's Lonely Hearts Club Band 1:57
A2 With A Little Help From My Friends 2:34
A3 Lucy In The Sky With Diamonds
Engineer [Principal]Peter Vince
Engineer [Second]Richard Lush
3:21
A4 Getting Better 2:42
A5 Fixing A Hole
Engineer [Principal]Adrian Ibbetson
2:29
A6 She's Leaving Home
Engineer [Second]Richard Lush
Orchestrated ByMike Leander
3:19
A7 Being For The Benefit Of Mr. Kite ! 2:35
B1 Within You Without You 4:57
B2 When I'm Sixty-Four
Engineer [Second]Phil McDonald
2:34
B3 Lovely Rita 2:39
B4 Good Morning Good Morning 2:30
B5 Sgt. Pepper's Lonely Hearts Club Band (Reprise) 1:17
B6 A Day In The Life
Engineer [Second]Richard Lush
4:55

Companies, etc.

  • Record CompanyUniversal Music Enterprises
  • Phonographic Copyright ℗Calderstone Productions Limited
  • Copyright ©Calderstone Productions Limited
  • Distributed ByCapitol Records
  • Manufactured ByCapitol Records
  • Copyright ©Apple Corps Ltd.
  • Pressed ByQuality Record Pressings
  • Lacquer Cut AtAbbey Road Studios
  • Mastered AtOptimal Media GmbH – BH71657

Credits

  • Art DirectionDarren Evans (2)
  • Assemblage [Wax Figures]Madame Tussauds
  • Assemblage, Set Designer, SleeveJann Haworth
  • Coordinator [Mix]Adam Sharp
  • CoverThe Apple
  • Design, Artwork [Liner, Uncredited]Simon Posthuma
  • Editor [Photo]Dorcas Lynn
  • Engineer [Mastering]Miles Showell
  • Engineer [Mix]Sam OKell
  • Engineer [Principal]Geoff Emerick (tracks: A1-A3, A7, B1-B6)
  • Engineer [Transfer]Matthew Cocker
  • Executive-ProducerJeff Jones (11)
  • Lacquer Cut ByMILES.*
  • Mixed By [Assistant]Matt Mysko
  • Mixed By [New Stereo Mix By]Giles Martin
  • Painting, Artwork [Insert]Peter Blake (4)
  • Photography ByMichael Cooper (8)
  • ProducerGeorge Martin
  • Producer [Project]Jonathan Clyde
  • ResearchMike Headley
  • Written-ByLennon-McCartney (tracks: A1 to A7, B2 to B6)

Notes

New stereo mix sourced directly from the 4-track session tapes, guided by the original mono mix.

Pressing variation: This U.S. release 'is' mastered at Optimal Media GmbH as opposed to this same U.S. release
Giles Martin mixed Anniversary Edition 'not' mastered at Optimal here - The Beatles - Sgt. Pepper's Lonely Hearts Club Band

Manufactured at Quality Record Pressings.

Made in the U.S.A.

℗ © 2017 Calderstone Productions Limited (a division of Universal Music Group) / Apple Corps Limited. Artwork © 2017 Apple Corps Limited.

Barcode and Other Identifiers

  • Barcode (Text): 6 02567 09834 8
  • Barcode (String & scanned): 602567098348
  • Label Code: LC01846
  • Matrix / Runout (Side A & B Label): PCS 7027
  • Matrix / Runout (Side A Label): B0027772-01 A
  • Matrix / Runout (Side B Label): B0027772-01 B
  • Matrix / Runout (Runout, Side A Etched, variant 1): 5745539 BH71657-01 A1 6709834 SBM1 MILES. ABBEY ROAD 1/2 SPEED.
  • Matrix / Runout (Runout, Side B Etched, variant 1): 5745539 BH71657-01 B1 6709834 SBM1 MILES. ABBEY ROAD 1/2 SPEED.
  • Matrix / Runout (Runout, Side A Etched, variant 2): 5745539 BH71657-01 A1 6709834 A1 MILES. ABBEY ROAD 1/2 SPEED.
  • Matrix / Runout (Runout, Side B Etched, variant 2): 5745539 BH71657-01 B1 MILES. ABBEY ROAD 1/2 SPEED. 6709834 B1

Other Versions (5 of 1260)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Sgt. Pepper's Lonely Hearts Club Band (LP, Album, Stereo) Parlophone PCSO 7027 Australia 1967
Recently Edited
Sgt. Pepper's Lonely Hearts Club Band (LP, Album, Mono, Gatefold) Odeon PMC 7027 1967
Sgt. Pepper's Lonely Hearts Club Band (LP, Album, Stereo, Non Gatefold) Parlophone PCSM 7027, PCSM.7027 New Zealand 1967
Sgt. Pepper's Lonely Hearts Club Band (LP, Album, Mono) Parlophone PMC 7027 UK 1967
Recently Edited
Sgt. Pepper's Lonely Hearts Club Band (LP, Album, Gatefold) Parlophone PCS 7027 Norway 1967

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Reviews

  • JennyTaylia451's avatar
    JennyTaylia451
    Bass is a bit bloated. Other than that, it sounds fantastic and is on a whole other level compared to the terrible original stereo. The mono still beats it out, but it's a close competition.
    The difference in mastering between the CD and vinyl is night and day, btw. The CD is loud. The vinyl is much more pleasant and dynamic.
    • rodpc's avatar
      rodpc
      Probably the best sounding record in my collection. Perfect all round.
      • JuanGabriel.'s avatar
        JuanGabriel.
        Very good remastered album it's a great piece with some items inside of it!
        • Wrens-Jukebox's avatar
          Wrens-Jukebox
          This is a very fun album to own, I don't think the remix sounds bad at all, there are some strong opinions about this though. I am no expert, just a guy who loves music. The album was perfectly pressed, I have no imperfections in mine and it sounds great. I think that the album still smells like a stickerbook and I've owned it for over two years so that's kind of funny /gen. I think that this is a good option for someone looking for a copy of Peppers.
          • SailorMaxie's avatar
            SailorMaxie
            I honestly find it kind of hilarious that following the Revolver reissue the world has basically gone full 180 on Giles Martin. Back in my day, this remix was the cream of the crop.
            • lswerner's avatar
              lswerner
              Very quiet vinyl without any pressing flaws. Centered labels, no warping, no inner ring distortion.
              • InfectedObject's avatar
                InfectedObject
                Edited 2 years ago
                The bass is too loud on this vinyl record. I have the same issue with the other Giles Martin reissues.
                • erickperez's avatar
                  erickperez
                  Es normal una risa o grito al final? donde ya no hay surcos!!
                  • t_recs's avatar
                    t_recs
                    Edited 2 years ago
                    Good, clean pressing that’s unfortunately marred by the poorest remastering/remix I’ve heard for this specific album. Everything in this new mix sounds so compressed and thin. I compared my mono original 67 first pressing, an early 1970’s UK stereo and the 2014 mono repress, and there was a significant improvement across the board compared to the 2017. I would not recommend this reissue.
                    • hgdecades's avatar
                      hgdecades
                      Excelente remasterización por parte de Giles Martin, suena fresco a comparación de las versiones stereo que he escuchado de los 70s y 80s... los graves son profundos pero armónicos, incluso puedes captar algunos metales de forma mas clara que en las versiones digitales, frecuencias altas sin distorsión, todo esto acompañado de un estupendo prensado, casi sin el ruido magnetizado, sin clics ni pops. She's Leaving Home suena con la aceleración normal similar a la version mono de los 60s.
                      Gracias por renacer un álbum que le urge a las nuevas generaciones escuchar.
                      Sin duda conseguiré todo lo que remasterice el hijo del verdadero quinto Beatle.

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