Burning Spear – Garvey's Ghost
Label: |
Island Records – ILPS 9382 |
---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
UK |
Released: |
|
Genre: |
Reggae |
Style: |
Roots Reggae |
Tracklist
A1 | The Ghost (Marcus Garvey) | 3:24 | |
A2 | I And I Survive (Slavery Days) | 3:37 | |
A3 | Black Wa-Da-Da (Invasion) | 3:17 | |
A4 | John Burns Skank (Live Good) | 3:10 | |
A5 | Brain Food (Give Me) | 3:05 | |
B1 | Farther East Of Jack (Old Marcus Garvey) | 3:59 | |
B2 | 2000 Years (Tradition) | 3:28 | |
B3 | Dread River (Jordan River) | 2:55 | |
B4 | Workshop (Red, Gold & Green) | 3:10 | |
B5 | Reggaelation (Resting Place) | 3:06 |
Companies, etc.
- Phonographic Copyright ℗ – Island Records Ltd.
- Recorded At – Randy's Studio
- Mixed At – Joe Gibbs Studio
- Overdubbed At – Fallout Shelter
- Published By – Tammi Music Ltd.
- Published By – Blue Mountain Music Ltd.
Credits
- Alto Saxophone – Herman Marquis
- Bass – Robert (Rabbi) Shakespeare*
- Clavinet – Bernard (Touter) Harvey*
- Design [Cover] – Bloomfield/Travis
- Drums – Leroy (Horse) Wallace*
- Engineer – George Philpott
- Engineer [Dubbing] – John Burns
- Flute – Carlton (Sam) Samuels*
- Lead Guitar – Earl (Chinna) Smith*
- Organ, Piano – Tyrone (Organ 'D') Downie*
- Photography By – Dennis Morris
- Plated By – EG*
- Producer, Producer [Dubbing] – L.Lindo (Jack Ruby)*
- Rhythm Guitar – Valentine (Tony) Chin*
- Tenor Saxophone – Richard (Dirty Harry) Hall*
- Trombone – Vincent (Trommie) Gordon*
- Trumpet – Bobby Ellis
Notes
UK version with orange palm tree labels, which credits Blue Mountain Music as publishers, rather than Island Music as seen on other releases.
Mixed at Joe Gibbs Recording Studio, Retirement Crescent, Kingston, Jamaica.
Dub mix at Island Studios, Hammersmith(aka Fallout Shelter). Special thanks to Lloyd Coxone
Dub version of the album "Marcus Garvey," original track titles appear in parenthesis.
Mixed at Joe Gibbs Recording Studio, Retirement Crescent, Kingston, Jamaica.
Dub mix at Island Studios, Hammersmith(aka Fallout Shelter). Special thanks to Lloyd Coxone
Dub version of the album "Marcus Garvey," original track titles appear in parenthesis.
Barcode and Other Identifiers
- Matrix / Runout: I - 20 ILPS 9382 A 2 EG
- Matrix / Runout: 12 - I ILPS 9382 B-1 EG
Other Versions (5 of 28)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission
|
Garvey's Ghost (LP) | Wolf | none | Jamaica | 1975 | ||
New Submission
|
Garvey's Ghost (LP) | Wolf | none | Jamaica | 1975 | ||
New Submission
|
Garvey's Ghost (LP, Album) | Island Records | STAR 207 | South Africa | 1976 | ||
Garvey's Ghost (LP, Album) | Island Records | ILPS 9382 | UK | 1976 | |||
Garvey's Ghost (LP, Album, Pitman) | Mango | MLPS 9382 | US | 1976 |
Recommendations
Reviews
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To put this album into context, the first dub albums had been released only a year and a few months before, in late 1973, and the idea of dub had not yet propagated to the wider musical world outside of JA. Also, the idea of pairing a dub companion album to its non-dub vocal album was also just beginning.
Spear wanted a dub counterpart to his Island label debut 'Marcus Garvey' so Island complied and released what I think must have been the first non-JA pressed dub album in this release.
To add to this album's distinctions, the label enlisted not a JA dub mixer but John Burns, a UK engineer most noted for his work with prog bands like Genesis, and musician Dick Cuthell, who would show up on albums related to the Two-Tone scene later in the 70s and 80s.
I'm not sure about Cuthell, but Burns never worked on any other dub albums, before or after this one so his choice was interesting and ultimately controversial because of the results, which were anecdotally disparaged in JA in general, and by Spear in particular.
As a collector of dub, it isn't the best dub album, but it is functional, and mainly works because the band and rhythm tracks are so strong. However, I agree with the main criticism from JA reggae fans which is the lack of bottom. This is nothing new for non-JA released reggae because record labels feared that people wouldn't like the amount of bass preferred by Jamaican audiences.
That's why when there is a choice to buy the JA or non-JA mix of any reggae album, I think most knowledgable reggae fans would always opt for the JA version if it is available. I have heard that there is/was a JA mix of this album but JA pressings I've heard use the Burns/Cuthell mix so it may be a wishful thinking myth.
So, while I can recommend the album, it helps to know the context and details. And if you are going to play it, to boost the bass in a sound system style. -
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Great early Dub album. Not as trippy or as heavy as say Lee Perry's "Blackboard Jungle" or the immortal Augustus Pablo/King Tubby " Meets The Rockers Uptown" albums but it definitely has its merits and charm.
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Edited 9 years agoThis all sounds nice enough, not the heaviest dub, but all laid back and good to relax to.
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roll a fattie, lay back and go to heaven with this here release by tha Spear.
Triple A+ reggae/dub tracks rivaling those of Scratch and Bob.
10 outta 5
Release
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