? (Question Mark) & The Mysterians*96 Tears

Label:

Cameo – C-428

Format:

Vinyl , 7", 45 RPM, Single, Reissue

Country:

US

Released:

Genre:

Rock

Style:

Garage Rock

Tracklist

A 96 Tears 2:38
B Midnight Hour 2:21

Companies, etc.

  • Published ByEd Arguello Pub. Co.
  • Copyright ©Cameo-Parkway Records, Inc.
  • Lacquer Cut AtBell Sound Studios
  • Mastered AtAudio Matrix, Inc.

Credits

  • Lacquer Cut ByE.Y.*
  • Written-ByRudy Martinez

Notes

Label variant: Writing on A side credited to Rudy Martinez

This single appeared first on the Pa-Go-Go label.

Ed Arguello Pub. Co.

© 1963 Cameo-Parkway Records, Inc.

Barcode and Other Identifiers

  • Matrix / Runout (Label side A): C-428-A
  • Matrix / Runout (Label side B): C-428-B
  • Matrix / Runout (Side A runout, etched, [stamped], Variant 1): [Audiomatrix] C-428-A R [Bell Sound] E.Y.
  • Matrix / Runout (Side B runout, etched, [stamped], Variant 1): [Audiomatrix] C-428-B [Bell Sound] E.Y.
  • Matrix / Runout (Side A runout, etched, [stamped], Variant 2): [Audiomatrix] C-428A R [Bell Sound] E.Y.
  • Matrix / Runout (Side B runout, etched, [stamped], Variant 2): [Audiomatrix] C-428B R [Bell Sound] E.Y.
  • Rights Society: BMI

Other Versions (5 of 48)

View All
Title (Format) Label Cat# Country Year
Recently Edited
96 Tears / Midnight Hour (7", 45 RPM, Single) Cameo C-428X Canada 1966
New Submission
96 Tears (7", 45 RPM, 4 Prong Centre) Cameo Parkway C.428 UK 1966
Recently Edited
96 Tears (7", 45 RPM, Single, Mono) Ariola 19 252 AT 1966
Recently Edited
96 Tears (7", 45 RPM, Single, Styrene, Pitman Pressing) Cameo C-428 US 1966
New Submission
96 Tears (7", 45 RPM, Single, Styrene) Cameo C-428 US 1966

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Reviews

  • jadedtom's avatar
    jadedtom
    The tortured 'genius' of Question Mark is summed up by two organ chords. This song still has a moronic charm, and it's amazing that the 'legend' of Question Mark remains to this day, if only in Question Mark's head. This guy has always been full of himself; he once claimed that he had actually written Alice Cooper's "I'm Eighteen" (only because one of the Mysterians early b-sides was entitled '8 Teen'). Good for a laugh, but hardly the garage classic that the Kingsmen's "Louie Louie" was and still is.

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