Tom WaitsSmall Change

Label:

Asylum Records – 7ES 1078

Format:

Vinyl , LP, Album , Quality Records Pressing

Country:

Canada

Released:

Genre:

Folk, World, & Country

Style:

Contemporary Jazz

Tracklist

A1 Tom Traubert's Blues 6:40
A2 Step Right Up 5:39
A3 Jitterbug Boy 3:41
A4 I Wish I Was In New Orleans 4:50
A5 The Piano Has Been Drinking (Not Me) 3:37
B1 Invitation To The Blues 5:20
B2 Pasties And A G-String 2:32
B3 Bad Liver And A Broken Heart 4:46
B4 The One That Got Away 4:00
B5 Small Change 5:03
B6 I Can't Wait To Get Off Work 3:20

Companies, etc.

  • Published ByFifth Floor Music, Inc.
  • Recorded AtWally Heider Recording Studio, Los Angeles
  • Record CompanyWarner Communications
  • Phonographic Copyright ℗Elektra/Asylum/Nonesuch Records
  • Copyright ©Elektra/Asylum/Nonesuch Records
  • Phonographic Copyright ℗Asylum Records
  • Manufactured ByWEA Music Of Canada, Ltd.
  • Distributed ByWEA Music Of Canada, Ltd.
  • Manufactured ByWEA Musique Du Canada Ltée.
  • Distributed ByWEA Musique Du Canada Ltée.
  • Lacquer Cut AtThe Lacquer Channel Limited
  • Pressed ByQuality Records Limited
  • Printed ByEver Reddy

Credits

  • BassJim Hughart
  • DrumsShelly Manne
  • Lacquer Cut Bync*
  • ProducerBones Howe
  • Tenor SaxophoneLew Tabackin
  • Vocals, PianoTom Waits

Notes

Issued with a printed inner sleeve.

On the back cover:
Recorded complete and direct to 2-Track Stereo Tape at Wally Heider Recording, Hollywood, California on July 15, 19, 20, 21, 29, 1976.
℗ & © Elektra/Asylum/Nonesuch Records
Manufactured and Distributed by - WEA Music of Canada Ltd./Fabrique et Distribue par - WEA Musique du Canada Ltee.
A Warner Communications Company

On the labels:
℗ 1976 by Asylum Records
Manufactured and Distributed by/Fabrique et Distribue par WEA Music of Canada Ltd.
A Warner Communications Company

On the spine:
[Ever Reddy logo] Litho in Canada

Barcode and Other Identifiers

  • Rights Society: ASCAP
  • Pressing Plant ID (Labels and runouts): Q
  • Matrix / Runout (Side A runout, etched): 7ES·1078·A· TLC-T nc Q
  • Matrix / Runout (Side B runout, etched): 7ES·1078·B· TLC-T nc Q

Other Versions (5 of 116)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Small Change (LP, Album, Stereo, Santa Maria Pressing) Asylum Records 7E-1078 US 1976
Small Change (LP, Album) Asylum Records K 53050 UK 1976
Recently Edited
Small Change (LP, Album, White label ) Asylum Records 7E-1078 New Zealand 1976
New Submission
Small Change (LP, Album, Test Pressing) Asylum Records 7E-1078 US 1976
Small Change (LP, Album) Asylum Records 7E-1078 Australia 1976

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Reviews

  • Adam_A's avatar
    Adam_A
    Tom Waits was for a decade or so, an artist of transitions. From his first album until Small Change, he sounded like an artist trying to find his voice. On Small Change we finally find everything he was trying to do achieved. He finds a perfect balance between arrangement and delivery, where his technique might have felt more jarring or juxtaposed on former albums. Unfortunately, he found his sound at the bottom of a whisky bottle, but at least he was able to get out of the habit and regain control. When all is said and done here we have Waits truly creating an American sound, that is clearly influenced by others that came before him, but he now sounds like his own artist, singular and defined. Again my opinion, but I feel like immediately after Small Change, he started searching for a new sound, and again was an artist in transition. He'd keep trying to go deeper and zanier, and again things would feel out of place until he finally reached his new sound with Swordfishtrombones, and from that point onward he never looked back. But when considering Phase 1 of Tom Waits (if you can think of him in such a way), Small Change was the pinnacle of that sound.

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