Tom Waits – Small Change
Label: |
Asylum Records – 7ES 1078 |
---|---|
Format: |
|
Country: |
Canada |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Contemporary Jazz |
Tracklist
A1 | Tom Traubert's Blues | 6:40 | |
A2 | Step Right Up | 5:39 | |
A3 | Jitterbug Boy | 3:41 | |
A4 | I Wish I Was In New Orleans | 4:50 | |
A5 | The Piano Has Been Drinking (Not Me) | 3:37 | |
B1 | Invitation To The Blues | 5:20 | |
B2 | Pasties And A G-String | 2:32 | |
B3 | Bad Liver And A Broken Heart | 4:46 | |
B4 | The One That Got Away | 4:00 | |
B5 | Small Change | 5:03 | |
B6 | I Can't Wait To Get Off Work | 3:20 |
Companies, etc.
- Published By – Fifth Floor Music, Inc.
- Recorded At – Wally Heider Recording Studio, Los Angeles
- Record Company – Warner Communications
- Phonographic Copyright ℗ – Elektra/Asylum/Nonesuch Records
- Copyright © – Elektra/Asylum/Nonesuch Records
- Phonographic Copyright ℗ – Asylum Records
- Manufactured By – WEA Music Of Canada, Ltd.
- Distributed By – WEA Music Of Canada, Ltd.
- Manufactured By – WEA Musique Du Canada Ltée.
- Distributed By – WEA Musique Du Canada Ltée.
- Lacquer Cut At – The Lacquer Channel Limited
- Pressed By – Quality Records Limited
- Printed By – Ever Reddy
Credits
- Bass – Jim Hughart
- Drums – Shelly Manne
- Lacquer Cut By – nc*
- Producer – Bones Howe
- Tenor Saxophone – Lew Tabackin
- Vocals, Piano – Tom Waits
Notes
Issued with a printed inner sleeve.
On the back cover:
Recorded complete and direct to 2-Track Stereo Tape at Wally Heider Recording, Hollywood, California on July 15, 19, 20, 21, 29, 1976.
℗ & © Elektra/Asylum/Nonesuch Records
Manufactured and Distributed by - WEA Music of Canada Ltd./Fabrique et Distribue par - WEA Musique du Canada Ltee.
A Warner Communications Company
On the labels:
℗ 1976 by Asylum Records
Manufactured and Distributed by/Fabrique et Distribue par WEA Music of Canada Ltd.
A Warner Communications Company
On the spine:
[Ever Reddy logo] Litho in Canada
On the back cover:
Recorded complete and direct to 2-Track Stereo Tape at Wally Heider Recording, Hollywood, California on July 15, 19, 20, 21, 29, 1976.
℗ & © Elektra/Asylum/Nonesuch Records
Manufactured and Distributed by - WEA Music of Canada Ltd./Fabrique et Distribue par - WEA Musique du Canada Ltee.
A Warner Communications Company
On the labels:
℗ 1976 by Asylum Records
Manufactured and Distributed by/Fabrique et Distribue par WEA Music of Canada Ltd.
A Warner Communications Company
On the spine:
[Ever Reddy logo] Litho in Canada
Barcode and Other Identifiers
- Rights Society: ASCAP
- Pressing Plant ID (Labels and runouts): Q
- Matrix / Runout (Side A runout, etched): 7ES·1078·A· TLC-T nc Q
- Matrix / Runout (Side B runout, etched): 7ES·1078·B· TLC-T nc Q
Other Versions (5 of 116)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
Small Change (LP, Album, Stereo, Santa Maria Pressing) | Asylum Records | 7E-1078 | US | 1976 | ||
Small Change (LP, Album) | Asylum Records | K 53050 | UK | 1976 | |||
Recently Edited
|
Small Change (LP, Album, White label ) | Asylum Records | 7E-1078 | New Zealand | 1976 | ||
New Submission
|
Small Change (LP, Album, Test Pressing) | Asylum Records | 7E-1078 | US | 1976 | ||
Small Change (LP, Album) | Asylum Records | 7E-1078 | Australia | 1976 |
Recommendations
Reviews
-
Tom Waits was for a decade or so, an artist of transitions. From his first album until Small Change, he sounded like an artist trying to find his voice. On Small Change we finally find everything he was trying to do achieved. He finds a perfect balance between arrangement and delivery, where his technique might have felt more jarring or juxtaposed on former albums. Unfortunately, he found his sound at the bottom of a whisky bottle, but at least he was able to get out of the habit and regain control. When all is said and done here we have Waits truly creating an American sound, that is clearly influenced by others that came before him, but he now sounds like his own artist, singular and defined. Again my opinion, but I feel like immediately after Small Change, he started searching for a new sound, and again was an artist in transition. He'd keep trying to go deeper and zanier, and again things would feel out of place until he finally reached his new sound with Swordfishtrombones, and from that point onward he never looked back. But when considering Phase 1 of Tom Waits (if you can think of him in such a way), Small Change was the pinnacle of that sound.
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6 copies from €10.43