Spiritualized®*Ladies And Gentlemen We Are Floating In Space

Label:

Fat Possum Records – FP1753-4

Series:

The Spaceman Reissue Program

Format:

2 x Vinyl , LP, Album, Reissue, Remastered, Repress, Special Edition, Stereo , Blue [Neptune Blue], 180g

Country:

UK, Europe & US

Released:

Genre:

Rock

Style:

Indie Rock

Tracklist

A1 Ladies And Gentlemen We Are Floating In Space
A2 Come Together
A3 I Think I'm In Love
B1 All Of My Thoughts
B2 Stay With Me
B3 Electricity
B4 Home Of The Brave
C1 The Individual
C2 Broken Heart
C3 No God Only Religion
C4 Cool Waves
D1 Cop Shoot Cop…

Companies, etc.

  • Manufactured ByFat Possum Records
  • Distributed ByFat Possum Records
  • Licensed ToFat Possum Records
  • Phonographic Copyright ℗Sony Music Entertainment UK
  • Copyright ©Sony Music Entertainment UK
  • Published ByBMG Rights Management (UK) Limited
  • Recorded AtMoles Studio
  • Recorded AtThe Church, London
  • Recorded AtRooster Studios
  • Recorded AtStrongroom
  • Recorded AtHouse Of Blues, Memphis
  • Recorded AtThe Hit Factory
  • Recorded AtA&M Studios
  • Mixed AtMoles Studio
  • Mixed AtThe Church, London
  • Mixed AtRooster Studios
  • Mixed AtStrongroom
  • Mixed AtHouse Of Blues, Memphis
  • Mixed AtThe Hit Factory
  • Mixed AtA&M Studios
  • Mastered AtWhitfield Street Recording Studios
  • Lacquer Cut AtAlchemy Mastering
  • Pressed ByGZ Media – 209800E

Credits

  • AccordionAngel Corpus Christi
  • Arranged By [Choir Arranged By]Irreverend J. Spaceman*
  • Arranged By [Horns Arranged By]Tim Sanders
  • Arranged By [Strings Arranged By]J. Spaceman
  • Artwork [Original Artwork - Print]Spaceman*
  • Bass [Fender Jazzbass], HarmonicaSean Cook
  • CelloSophie Harris
  • ChoirThe London Community Gospel Choir*
  • Co-producerJohn Coxon (tracks: B2)
  • DesignSpaceman*
  • Design ConceptFarrow Design
  • Drums [Gretsch Round Badge], Percussion, Bells, TimpaniDamon Reece
  • Electric Organ [Hammond]Andy Davis
  • Engineer [Assistant Engineers]Patrick McGovern
  • Engineer [Mix Engineers]Trevor Curwen
  • Engineer [Recording Engineers]Trevor Curwen
  • Flute, Baritone SaxophoneSimon Clarke (2)
  • French HornTim Jones*
  • Guitar [Gibson Firebird, Fender Jaguar], Melodica, Synthesizer [JD 800]John Coxon
  • Keyboards [Vox Continental, Farfisa Compact, Roland D20], Piano, VocalsKate Radley
  • Lacquer Cut ByBarry Grint
  • ManagementRough Trade*
  • Mastered ByRay Staff
  • Pedal Steel GuitarB.J. Cole*
  • Photography ByPete Millson (2)
  • Piano, VocalsDr. John
  • Post Production, Edited ByMads Bjerke
  • Producer, Arranged By, Mixed ByJ. Spaceman
  • Remastered By [Uncredited]Barry Grint
  • Tenor SaxophoneTim Sanders
  • TromboneNeil Sidwell
  • Trumpet, FlugelhornRoddie Lorimer*
  • ViolaKathy Burgess
  • ViolinEd Coxon*
  • Vocals, Guitar [Fender Telecaster, Fender Jaguar, Vox Starstreamer, Gibson Firebird], Piano, Dulcimer [Hammer Dulcimer], AutoharpSpaceman*
  • Written-ByJ. Spaceman

Notes

Packaged in a gatefold, tip-on sleeve.

℗ & © 1997 Sony Music Entertainment UK.
Under exclusive license to Fat Possum Records, LLC.
P.O. Box 1923, Oxford, MS 38655. USA.
The tablets are made by MFD Limited for the licence/authorisation holder Fat Possum Records.

Recorded and mixed at Moles Studio - Bath, The Church, Rooster and The Strongroom Studios - London, House of Blues - Memphis, The Hit Factory - New York and A&M - Los Angeles.

Barcode and Other Identifiers

  • Barcode (Scanned/Text): 767981175348
  • Matrix / Runout (A runout - 209800E1/A1 stamped, variant 1): VMP-E093-A1/FP1753-3-A1 BAZZA ALCHEMY 209800E1/A1 #2
  • Matrix / Runout (B runout - 209800E2/A3 stamped, - A/B in AB1 are superimposed, variant 1): VMP-E093-AB1/FP1753-3-B1 209800E2/A3 #17
  • Matrix / Runout (C runout - 209800E3/A A1 stamped, variant 1): VMP-E093-C1/FP1753-3-C1 209800E3/A A1 #1
  • Matrix / Runout (D runout - 209800E4/A1 stamped, variant 1): VMP-E093-D1/FP1753-3-D1 209800E4/A1 #15
  • Matrix / Runout (A runout - 209800E1/A1 stamped, variant 2): VMP-E093-A1/FP1753-3-A1 BAZZA ALCHEMY 209800E1/A1 #16
  • Matrix / Runout (B runout - 209800E2/A3 stamped, - A/B in AB1 are superimposed, variant 2): VMP-E093-AB1/FP1753-3-B1 209800E2/A3 #16
  • Matrix / Runout (C runout - 209800E3/A A1 stamped, variant 2): VMP-E093-C1/FP1753-3-C1 209800E3/A A1 #1
  • Matrix / Runout (D runout - 209800E4/A1 stamped, variant 2): VMP-E093-D1/FP1753-3-D1 209800E4/A1 #15

Other Versions (5 of 47)

View All
Title (Format) Label Cat# Country Year
Ladies And Gentlemen We Are Floating In Space (CD, Album) Dedicated DEDCD 034A UK & Europe 1997
Recently Edited
Ladies And Gentlemen We Are Floating In Space (CD, Album) Dedicated 07822-18974-2 US 1997
Recently Edited
Ladies And Gentlemen We Are Floating In Space (CD, Album) Dedicated 74321 54165 2, DEDCD 034 Europe 1997
Recently Edited
Ladies And Gentlemen We Are Floating In Space (CD, Album, Promo) Dedicated DEDCD 034P UK 1997
Recently Edited
Ladies And Gentlemen We Are Floating In Space (12×CD, Mini, Album, Box Set, Limited Edition) Dedicated DEDCD 034S UK 1997

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Reviews

  • Fog-and-Lime's avatar
    Fog-and-Lime
    i have an original 1997 Dedicated 2LP pressing of this and i also have this Fat Possum neptune blue pressing. I love the original artwork, but also love the re-imagined artwork although the massively thick gatefold sleeve is annoying as hell since it rips any outer sleeve i try to put on it because it's so fat!!!

    Finally got around to sitting down and comparing the original 1997 Dedicated pressing to this Fat Possum pressing.

    This Fat Possum reissue increases the mids and the highs on all the songs, which makes it sound louder than the original pressing. I don't think it's really much louder but the highs are significantly louder. it's not a bad sounding record at all, and in fact i like the sound because it makes it a bit more raw----BUT it does add a harshness that the original 1997 pressing doesn't have. Some of the songs and sounds on this album can get VERY layered, and in that layering the Fat Possum reissue can sometimes get overwhelmed due to the emphasis on the highs and higher edge of the mids. The original 1997 pressing focuses on the mids, lower end of mids, and the lows. So the bass on the original is more defined and heavy.

    So yeah predictably i prefer the 1997 Dedicated pressing----it's just so well balanced and beautiful. BUT it also costs $200 or more now, and this Fat Possum reissue is easily available for $20-40. The Neptune Blue vinyl is beautiful----like really beautiful! I have NOT heard the VMP Reissue so i can't comment on that---but at this point i'm not buying a 3rd copy am happy with these 2 variants of this great record. I'd say this Fat Possum reissue is overall a really good copy of this classic record, and if you've never heard the original pressing, you can enjoy this knowing you have a pretty solid copy of this record!
    • fac-73's avatar
      fac-73
      Not understanding why almost everyone has a problem with this pressing, my near-mint used copy I picked up last week sounds fantastic
      • UCHRONIA's avatar
        UCHRONIA
        Edited 2 years ago
        coloured vinyl mania is completely out of control: noisy, hissy sound quality for x-tra expensive pressings for those who care more about bling-bling than sound quality... played this record now like 5 times since purchase and the sound quality (especially of the tracks at the end of each sides) got soooo bad, so crackly, distorted, kind of unlistenable ...
        • hauntsey's avatar
          hauntsey
          Edited 2 years ago
          Found a used, near-mint, Neptune blue copy today and am as happy as can be. Quiet, great sound and, yes, the very tail end of Side D plays static, but it is, quite literally, the very tail end; maybe about the last minute's worth...and that's out of a sixteen minute track. At this point in the track, if listening at home or playing for friends, I'm fading out a ways before this glitch anyway, so it really doesn't affect my overall listening experience.
          • Mister.Spaceman's avatar
            Mister.Spaceman
            I bought this used and it has the defect on side D. I assume it’s not under warranty if I buy it secondhand. Besides the one issue it’s a phenomenal pressing.
            • kosmikkomando's avatar
              kosmikkomando
              Drift Records had a re-stock so ordered a copy. Sounds incredible end to end. No issues
              • red_erik's avatar
                red_erik
                Overall not satisfied with the package - The ablum barely fits in my plastic sleeves, inner sleeves too hard to take out / put back in. My version also has the flaw on end of side D. And all of this after waiting several months for the record to be finally delivered to my local store (in Norway).
                • miss.erica's avatar
                  miss.erica
                  Cop Shoot Cop sounds amazing compared to my orginal CD. But I do have issues with this pressing which as a some weird flaw on Side Two en lotsa pops.
                  • Davey_D's avatar
                    Davey_D
                    UPDATE: I too was experiencing the flaw at the end of Side D. I wrote to Fat Possum about it and they sent out a replacement disc immediately. We're talking FAST - I had it four days later. The flaw is completely absent and side D plays perfectly.

                    • alligator_3000's avatar
                      alligator_3000
                      Blue Vinyl has a horrible flaw in the last minute of side D that makes it unlistenable.
                      Black vinyl has the same issue on side B.

                      Quality control at Fat Possum must be non-existent.

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