Faith No More – The Real Thing
Tracklist
| A1 | From Out Of Nowhere | 3:19 | |
| A2 | Epic | 4:51 | |
| A3 | Falling To Pieces | 5:12 | |
| A4 | Surprise! You're Dead | 2:26 | |
| A5 | Zombie Eaters | 5:57 | |
| B1 | The Real Thing | 8:10 | |
| B2 | Underwater Love | 3:50 | |
| B3 | The Morning After | 3:40 | |
| B4 | Woodpecker From Mars | 5:38 |
Companies, etc.
- Phonographic Copyright ℗ – Slash Records
- Copyright © – Slash Records
- Manufactured By – Fonobrás, Distribuidora Fonográfica Brasileira Ltda.
- Distributed By – Fonobrás, Distribuidora Fonográfica Brasileira Ltda.
- Licensed From – Polygram do Brasil Ltda.
- Recorded At – Studio D, Sausalito, CA
- Mixed At – Blue Canyon (2)
- Mastered At – K Disc Mastering
Credits
- Art Direction – Jeff Price (2)
- Bass – Bill Gould*
- Drums – Mike Bordin
- Engineer – Matt Wallace
- Engineer [Assitant] – Jim "Watts" Vereecke
- Guitar – Jim Martin
- Keyboards – Roddy Bottum
- Management – W.E.M.*
- Mastered By – John Golden
- Photography By – Lendon Flanagan
- Producer – Matt Wallace
- Vocals – Michael Patton*
- Written-By – Faith No More
Notes
A similar version was released with "made in Brazil" printed under the RPM on the left hand side of the face label. This submission does not state the country of manufacture there.
Recorded December 1988 at Studio D, Sausalito.
Mixed January 1989 at Blue Canyon, Studio City.
Mastered at K-Disc, Los Angeles.
Fabricado e distribuido por Fonobras Distribuidora Fonográfica Brasileira Ltda. Sob Licença da PolyGram Do Brasil Ltda.
(P)1990 Made In Brazil
Issued with a inner sleeve with lyrics and credits
Recorded December 1988 at Studio D, Sausalito.
Mixed January 1989 at Blue Canyon, Studio City.
Mastered at K-Disc, Los Angeles.
Fabricado e distribuido por Fonobras Distribuidora Fonográfica Brasileira Ltda. Sob Licença da PolyGram Do Brasil Ltda.
(P)1990 Made In Brazil
Issued with a inner sleeve with lyrics and credits
Barcode and Other Identifiers
- Matrix / Runout (Run Out Groove A): 828 154-1 1 01 ℗ 1990 200
- Matrix / Runout (Run Out Groove B): 828 154-1 2 01 ℗ 1990 200
Other Versions (5 of 146)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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The Real Thing (CD, Album) | London Records | 828 154-2 | Europe | 1989 | ||
| The Real Thing (LP, Album, Stereo) | London Records | 828 154-1 | Europe | 1989 | |||
|
Recently Edited
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The Real Thing (CD, Album) | Reprise Records | 9 25878-2 | US | 1989 | ||
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Recently Edited
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The Real Thing (Cassette, Album, AR, Dolby HX Pro, B NR) | Slash | 9 25878-4, 4-25878 | US | 1989 | ||
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Recently Edited
|
The Real Thing (CD, Album, Club Edition) | Reprise Records | 9 25878-2 | US | 1989 |
Recommendations
Reviews
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Not the best pressing ever, but it sounds very good for what it is. Don't agree with the cassette thing someone said here before, it sounds crisp, and nice bass, even tho it could have a little more.
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Edited one year agoI don't have an OG press to compare this to, but I have the Who Cares A Lot Compilation with a few of the same songs. This one sounds better, much more clarity and alive, can hear every instrument and drum/kick, if this sounds muddy to you then there is something way out of EQ on your system. That being said, the remastered versions on the compilation just sound like they tried to boost the bass and compress it more. For those complaining about a thin recording, that's the way this record ALWAYS sounded, this missed the brick wall limiter wars that were soon to come and the music sounded real with natural peaks and valleys, embrace and enjoy it!!! -
Well, i really like this album songs, but i gotta agree with the other reviews, this press sounds kinda thin… i was expecting that hard hitting for “Falling to Pieces”, but the mix sounds kinda thin/muddy… -
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Sounds kind of distorted and thin tbh. I couldn't imagine even the cassette sounding much worse.
Release
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18 copies from €12.52