Joe – For Django
Tracklist
| A1 | Django | 3:19 | |
| A2 | Rosetta | 3:10 | |
| A3 | Nuages | 2:30 | |
| A4 | For Django | 3:20 | |
| A5 | Night And Day | 3:43 | |
| B1 | Fleur D'Ennui | 2:50 | |
| B2 | Insensiblement (Once When We Were Young) | 3:10 | |
| B3 | Cavalerie | 4:20 | |
| B4 | Django's Castle | 3:47 | |
| B5 | Limehouse Blues | 2:10 |
Companies, etc.
- Record Company – Pacific Jazz Records
- Record Company – World-Pacific Inc.
- Record Company – Blue Note Records
- Record Company – Capitol Records, LLC
- Copyright © – UMG Recordings, Inc.
- Recorded At – Pacific Jazz Studios
- Mastered At – Cohearent Audio
- Lacquer Cut At – Cohearent Audio
- Pressed By – Record Technology Incorporated – 36698
Credits
- Bass – Jim Hughart
- Design Concept [Album Concept], Design – Jon Sagon
- Drums – Colin Bailey
- Guitar – John Pisano
- Lacquer Cut By – KPG*
- Liner Notes – Thomas Conrad (2)
- Mastered By [LP Reissue Mastering] – Kevin Gray
- Photography By – Woody Woodward
- Producer [A Richard Bock Production] – Richard Bock
- Sleeve Notes [Wevd, New York City October 20, 1964] – Mort Fega
- Supervised By [LP Reissue Supervision] – Joe Harley
Notes
A product of World-Pacific Inc.
A Blue Note Records release; originally released in 1964 by Pacific Jazz Records.
© 2021 UMG Recordings, Inc. Blue Note® is a ed trademark of Capitol Records, LLC.
Includes an insert with new liner notes titled "Retrospectives in Real Time".
Matrices in runouts are etched.
A Blue Note Records release; originally released in 1964 by Pacific Jazz Records.
© 2021 UMG Recordings, Inc. Blue Note® is a ed trademark of Capitol Records, LLC.
Includes an insert with new liner notes titled "Retrospectives in Real Time".
Matrices in runouts are etched.
Barcode and Other Identifiers
- Barcode (Text): 6 02435 38222 7
- Barcode (Scanned, UPC-A): 602435382227
- Other (On rear cover, top right): 85
- Other (On insert, down right): NS01
- Matrix / Runout (A-side label): B0033158-01 A
- Matrix / Runout (B-side label): B0033158-01 B
- Matrix / Runout (A-side runout): B0033158-01-A KPG & JH @ CA 36698.1(3)...
- Matrix / Runout (B-side runout): B0033158-01-B KPG & JH @ CA 36698.2(3)...
Other Versions (5 of 39)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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For Django (LP, Album) | Fontana | 688 146 ZL | UK | 1964 | ||
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New Submission
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For Django (LP, Album, Mono) | Pacific Jazz | PJ-85 | US | 1964 | ||
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New Submission
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For Django (LP, Album, Stereo) | Fontana | 888 146 ZY | Netherlands | 1964 | ||
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New Submission
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For Django (LP, Album, Mono) | Fontana | TL688146 | New Zealand | 1964 | ||
|
New Submission
|
For Django (LP, Album, Mono) | Fontana | 688 146 ZL | Netherlands | 1964 |
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2021 WorldwideVinyl —LP, Album, Reissue, Stereo
Reviews
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Sadly, half the tracks are plagued with a high pitched ringing that's a little hard to ignore. Otherwise, it's a great sounding album. -
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Edited 2 months agoJoe plays his ass off! The tone is stellar and this pressing does it justice. The vinyl is quite quiet. Maybe slight tape hiss from the master tape. Of course life had some surface noise as they say, and with some minor imperfections, the recording stands as a classic and this a good version of it! Now would we all wish Virtuoso 1 was recorded again? Or maybe not? A snapshot in time -
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Edited one year agoUnfortunately the tape hiss noise felt can be a little disturbing on slower tracks like “Nuages”. That’s probably the kind of noise you can’t get rid of when it’s on the master. Otherwise this pressing would be outstanding. -
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This is fully an 'ok' pressing. I have the high pitched noise in the background and crackle/rice krispies off and on, which is no good for a record w/ some slower tracks that aren't full. Still enjoyable, but kind of a bummer for a pressing that is supposed to be top notch. -
Sounds good!
Not enough presence and energy on John Pisano’s guitar. Hence 4 stars.
Also, it has unpleasant background noise. It's a little bit ringing which is quite annoying. But hopefully, it's because of my apartment with all its noises. -
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This is the stand out in a stack full of stand out albums in the Tone Poets of 2022. I haven't heard them all but this is my number one for the year. Looking forward to having to start a new shelf as my jazz section is full now.
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