井上陽水* – 氷の世界
Label: |
Polydor – MR 5038 |
---|---|
Format: |
|
Country: |
Japan |
Released: |
|
Genre: |
Folk, World, & Country |
Style: |
Pop Rock |
Tracklist
A1 | あかずの踏切り | 3:12 | |
A2 | はじまり | ||
A3 | 帰れない二人 | 4:18 | |
A4 | チエちゃん | 2:42 | |
A5 | 氷の世界 | 4:09 | |
A6 | 白い一日 | 2:25 | |
A7 | 自己嫌悪 | 2:37 | |
B1 | 心もよう | 3:23 | |
B2 | 待ちぼうけ | 2:40 | |
B3 | 桜三月散歩道 | 3:02 | |
B4 | Fun | 2:39 | |
B5 | 小春おばさん | 3:04 | |
B6 | おやすみ | 2:51 |
Companies, etc.
- Manufactured By – Polydor K.K.
Credits
- Acoustic Guitar – 井上陽水* (tracks: A2, A3, A6 to B4)
- Arranged By – 星勝*
- Arranged By [Strings, Brass] – Nick Harrison (tracks: A4, A5, B4)
- Blues Harp – 井上陽水* (tracks: A5, A7)
- Chorus – 星勝* (tracks: A1)
- Drums – 林 立夫* (tracks: A3, B1, B2)
- Electric Bass – 山村隆夫* (tracks: A2, B3)
- Electric Guitar – 高中正義* (tracks: A2, A3)
- Mandolin [Flat] – 安田裕美* (tracks: A7)
- Piano – Peter Robinson (tracks: A1, A5, B6)
- Producer – 多賀英典*
- Steel Guitar – 大江俊幸*
- Synthesizer, Mellotron, Harpsichord [Electric] – Peter Robinson (tracks: A5)
- Violin – 谷岡としお*
- Vocals – 井上陽水*
Notes
In heavy stock gatefold sleeve with obi. The outer features monochrome portraits of Inoue and the artist name and album title only. The inner gatefold has color photography of the musicians, track listing and credits. The insert has "handwritten" lyrics and accompanying guitar chords.
Recorded at the Mori Studio, Tokyo / Trident and Advision Studios London, June -September 1973
Transliterated titles
A1. Akazu no Fumikiri
A2. Hajimari
A3. Kaerenai Futari
A4. Chie Chan
A5. Kōri no Sekai
A6. Shiroi Ichinichi
A7. Jiko Keno
B1. Kokoro Moyou
B2. Machibouke
B3. Sakura Sangatsu Sanpomichi
B4. Fun
B5. Koharu Obasan
B6. Oyasumi
A1 and A2 have a combined duration.
Recorded at the Mori Studio, Tokyo / Trident and Advision Studios London, June -September 1973
Transliterated titles
A1. Akazu no Fumikiri
A2. Hajimari
A3. Kaerenai Futari
A4. Chie Chan
A5. Kōri no Sekai
A6. Shiroi Ichinichi
A7. Jiko Keno
B1. Kokoro Moyou
B2. Machibouke
B3. Sakura Sangatsu Sanpomichi
B4. Fun
B5. Koharu Obasan
B6. Oyasumi
A1 and A2 have a combined duration.
Barcode and Other Identifiers
- Rights Society: JASRAC
- Matrix / Runout (A-Side Runout Etching): 〄 MR-5038A D-2-2̶0̶ 13
- Matrix / Runout (B-Side Runout Etching): MR-5038B D 2̶2-1-27
Other Versions (5 of 15)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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New Submission
|
氷の世界 (Cassette, Album) | Polydor | CR1122 | Japan | 1973 | ||
New Submission
|
氷の世界 (LP, Album, Reissue) | Polydor | MR 3304 | Japan | 1981 | ||
New Submission
|
氷の世界 (CD, Album, Reissue, Red Face) | Polydor | 3113-11 (35PO) | Japan | 1983 | ||
New Submission
|
氷の世界 (CD, Album, Reissue, Repress) | Polydor | 3113-11 (35PO) | Japan | 1985 | ||
New Submission
|
氷の世界 (CD, Album, Reissue) | Polydor | POCH-1025 | Japan | 1990 |
Recommendations
Reviews
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I really enjoyed this album. It was a random LP received in a box with a bunch of stuff I'd never heard of. Despite barely understanding any of the lyrics, I really liked Inoue's energy and playing style. Many of the songs feature some world class guitar playing, especially A3 (which seems to be channeling some sort of gorgeous acoustic Led Zeppelin) and B3 which has some great acoustic blues riffing. No wonder he's a mainstay of Japanese music!
Because I enjoyed the album so much, I did some digging. After doing a bit of research, I was not surprised in the least to discover that It debuted at number one on the Oricon album chart and remained there for 35 weeks, staying in the Top 10 for 113 weeks (THAT'S MORE THAN 2 YEARS IN THE TOP TEN FFS!). It became the first album in Japan to sell over one million copies.
It's influence is still felt to this day, having significantly helped shape the Japanese rock landscape. In fact, as recently as 2019, a of 50 critics and writers from the Music Magazine ranked it 51st in their “50 years of Japanese music: Top 100”.
Seriously. If you haven't heard this album yet, give it a listen... but make a commitment and listen as it was intended. Start at the beginning and go straight through. Don't just preview 10 seconds of each track and for pity's sake don't skip anything or you'll miss out. : this was written in the early 70s and features a very different mindset for creating music: many of these songs have great musical structures and changes (not only stylistic changes but time and tempo as well). Many of the songs start of one way and end up sounding quite different by the time they're finished; they don't remain locked into a similar vibe all the way through the way lot of modern music does.
A++
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