Pit SpectorOeuvre Dark

Label:

Logistic Records – Log80

Format:

2 x Vinyl , LP, Album

Country:

Released:

Genre:

Electronic

Style:

House

Tracklist

A1 Grand Bleu
VocalsMarkus Berroyer
1:59
A2 Grand Huit
BassNiktus
GuitarThe Light Fool
VocalsXavier*
3:43
A3 A Song For Everyone
TromboneEmmanuel Ferraz
4:48
B1 Maïtre Nims
KeyboardsSandro Ceyte
6:06
B2 Purple Call
BassNiktus
KeyboardsSandro Ceyte
6:20
C1 Fish
BassNiktus
6:23
D1 Carry My Cross
VocalsLippie
4:20
D2 ABCDR 4:33
D3 Hawaï 6:43

Companies, etc.

  • Phonographic Copyright ℗Logistic Records
  • Copyright ©Logistic Records
  • Published ByPlayfood Event

Credits

  • ArtworkPopay (2)
  • Co-producer, Written-By, InstrumentsPierre Deniel
  • Graphic DesignFanny Muller
  • Written-By, Co-producer, InstrumentsGuillaume Berroyer

Notes

Side A: 45 RPM
Side B: 33 RPM
Side C: 45 RPM
Side D: 33 RPM

Barcode and Other Identifiers

  • Barcode: 0682698571606

Other Versions (1)

View All
Title (Format) Label Cat# Country Year
New Submission
Oeuvre Dark (10×File, WAV, Album) Logistic Records log80 2023

Reviews

  • Ajapanagamanas's avatar
    Ajapanagamanas
    Edited 5 months ago
    By now these two have a history together, but just by checking what they've already done together there really was little telling about what this collection was going to sound like. Ark loves his silly disted samples, Pit Spector seems to bring up actual melodies for these, and the results are all over the place: 'Fish' is inviting as fuck but loses steam midway through, not everyone is going to dig the big guest rapping in 'Grand Huit' (which sounds a lot like the latest Oizo) and if you think something more could have happened in "A Song for Everyone", i can't really blame you (of all of the tracks they've done, why was this one included in here?). Then there's these numbers on which the synthesis of both styles is flawlessly, bizarrely achieved: "Maître Nims" with its cute melody and pumping dance beats, the ghostly, haunting mess of fragments and harmonics in "ABCDR", and even "Purple Call", the weirdest piece of this whole thing with its creepy voices all over. Both opening and closer numbers, on which Ark does some of his shy guitar magic, convey a super chill mood (to be destroyed by the second track) and close the deal with a rather meditative feel respectively. In the end an album just as busy and incohesive as the artwork it's wrapped in, but there's no denying there's some serious business to be found on it, and it certainly shows these two growing and maturing their game into something definitely unique, not to mention fun, but certainly not as radical as it was on their previous endeavours, which honestly figures. Some edge is missed.

    PD: watch out, the digital version of the album (Lippie, which definitely lifts the instrumental version (included on the physical release) quite a notch. odd move for sure.

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