Queens Of The Stone Age – Songs For The Deaf
Tracklist
| A1 | You Think I Ain't Worth A Dollar, But I Feel Like A Millionaire | |
| A2 | No One Knows | |
| A3 | First It Giveth | |
| A4 | Song For The Dead | |
| B1 | The Sky Is Fallin' | |
| B2 | Six Shooter | |
| B3 | Hanging Tree | |
| B4 | Go With The Flow | |
| B5 | Gonna Leave You | |
| C1 | Do It Again | |
| C2 | God Is In The Radio | |
| C3 | Another Love Song | |
| D1 | Song For The Deaf | |
| D2 | Mosquito Song |
Companies, etc.
- Phonographic Copyright ℗ – UMG Recordings, Inc.
- Copyright © – UMG Recordings, Inc.
- Manufactured By – Universal Music Enterprises
- Marketed By – Universal Music Enterprises
- Recorded At – The Site
- Recorded At – Barefoot Studios
- Mixed At – Conway Studios
- Mixed At – Grandmaster Recorders
- Mastered At – Bernie Grundman Mastering
- Published By – Board Stiff Music
- Published By – Natural Light Music
- Published By – Blood Onion Music
- Published By – Ripplestick Music
- Lacquer Cut At – Black Belt Mastering
- Mastered At – Record Technology Incorporated – 41920
- Pressed By – Furnace Record Pressing
Credits
- A&R – Mark Williams (19)
- A&R [A&R Assistance] – Sherry Kunkel
- Artwork [Art], Art Direction [Direction] – Hutch (4)
- Booking [North American Bookings For WME] – Robby Fraser
- Booking [ROW Bookings For Xray Touring] – Steve Strange (2)
- Engineer [2nd Engineer] – Kevin Szymanski
- Engineer [Radio Broadcast 2nd Engineer] – Andrew Alekel
- Engineer [Studio Assistant] – Trevor Whatever
- Lacquer Cut By – Levi*
- Legal – Myman Greenspan Fox Rosenberg Mobasser Younger & Light LLP
- Management – SAM*
- Management [Business Management] – Provident Financial Management
- Mastered By – Brian Gardner
- Mixed By – Adam Kasper
- Mixed By [Radio Broadcast Mixed By] – Nick Raskulinecz
- Musician [Other Musicians] – Paz Lenchantin
- Performer [Queens Of The Stone Age] – Nick Oliveri
- Photography By – Nigel Copp
- Producer – Josh Homme
- Producer [Pre-Production] – Bob Brunner
- Recorded By [Additional Tracks Recorded By] – Adam Kasper (tracks: A2, B4, B5, D1)
- Recorded By [Assistant, at The Site] – Dan Conway
- Technician [Drum Tech For Drum Fetish] – Gersh
- Technician [Guitar Tech For Löw Tëch] – Dan Druff
- Technician [Radio Broadcast Sounds & Assemblage By] – Hutch (4)
- Voice [Radio D.J.'s] – Twiggy Ramirez
Notes
- Gatefold
- Hype sticker: "'2002's greatest living rock band' - NME // Featuring 'No One Knows' // B0030916-01"
Includes insert containing artwork and credits.
Identical gatefold cover and hype sticker to Black Belt Mastering.
- Hype sticker: "'2002's greatest living rock band' - NME // Featuring 'No One Knows' // B0030916-01"
Includes insert containing artwork and credits.
Identical gatefold cover and hype sticker to Black Belt Mastering.
Barcode and Other Identifiers
- Barcode (Scanned): 602508108587
- Barcode (Text): 6 02508 10858 7
- Matrix / Runout (Runout side A): B003091601-A 41920.1(3)... BLACK BELT-LEVI 1MM
- Matrix / Runout (Runout side B): B003091601-B 41920.2(3)... BLACK BELT-LEVI 1MM
- Matrix / Runout (Runout side C): B003091601-C 41920.3(3)... BLACK BELT-LEVI 1MM
- Matrix / Runout (Runout side D): B003091601-D 41920.4(3)... BLACK BELT-LEVI 1MM
- Rights Society: BMI
Other Versions (5 of 124)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
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Recently Edited
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Songs For The Deaf (CD, Album, Matte Booklet) | Interscope Records | 493 436-2 | Europe | 2002 | ||
|
Recently Edited
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Songs For The Deaf (CD, Album, DVD, DVD-Video, All Media, Limited Edition) | Interscope Records | 493 440-0 | Europe | 2002 | ||
|
Recently Edited
|
Songs For The Deaf (CD, Album, Limited Edition, Repress, Special Edition) | Interscope Records | 493 435-2 | UK & Europe | 2002 | ||
| Songs For The Deaf (2×LP, Album) | Interscope Records | 493 435-1 | UK | 2002 | |||
|
Recently Edited
|
Songs For The Deaf (CD, Album, DVD, DVD-Video, All Media, Limited Edition, Special Edition) | Interscope Records | 493 444-0 | UK | 2002 |
Recommendations
Reviews
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I love it. I have this one and the MOV pressing. Both are fantastic. In fact, I had this first and only bought the other one because this is one of my all time favs and I wanted to have the best possible pressing. But, both are really great.
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Killer pressing of this album, it's great to hear it in a format that isn't over-compressed. So many releases from the 2000s deserve this type of reissue/remaster. -
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Levi's cut here is, side-by-side, more dynamic and punchy than the cut used for the VMP release - if you missed out on that one and can live with not having colored vinyl, I honestly think this 2023 reissue is the way to go. My speakers are practically walking across the room. -
Edited one year agoEverything sits well in the mix on a record that is so heavy, chaotic at times and full of energy. Good dynamics and nice soundstage. I’m glad this was one of the first records I picked up to get into this hobby. -
Awesome reissue. Sounds and looks excellent. Been wanting to grab this one forever, so glad they did it justice. -
This pressing does this record justice. Everything sits perfectly in the mix, it’s crystal clear with no pops/cracks, and it’s incredibly dynamic. I couldn’t have asked for a better pressing.
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I’ve been chasing this album and been trying to get my hands on a copy for years. All my usual haunts never had it. I finally thought the chase had ended when I found one online at Guitar Center about a year ago but the ship date kept getting pushed out month after month after month until I finally cancelled the order. Then last week after a tip from my dad about Walmart having an early black Friday sale on vinyl, I went to browse their selection and my jaw dropped when I saw this there. I couldn’t click add to cart fast enough. I almost didn’t believe it when it arrived at my doorstep today.
And it sounds fantastic! Nice punchy bass without it sounding overwhelming. The pressing is very quiet as well. Very little surface noise and no pops and clicks that I’ve heard. The disks came housed in a poly lined sleeve, which I always appreciate. I swapped them out to black poly lined sleeves though, strictly for aesthetics. A black sleeve just looks better for obvious reasons. Anyway, I’m really impressed with this pressing. I’m so glad it’s a good pressing after all these years trying to secure a copy of it. It would’ve been a major letdown if it sounded like garbage. Very happy listener -
Just picked this up from recordstore.com.. absolutely lovely pressing… surprised so few comments and “haves” 😉
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