Dire StraitsOn Every Street

Label:

Warner Records – UDSACD 2239

Series:

Ultradisc UHR

Format:

SACD , Hybrid, Stereo, Album, Numbered, Reissue, Remastered, Special Edition

Country:

US

Released:

Genre:

Pop

Style:

Rock & Roll

Tracklist

1 Calling Elvis 6:27
2 On Every Street 5:03
3 When It Comes To You 5:01
4 Fade To Black 3:50
5 The Bug 4:15
6 You And Your Friend 6:00
7 Heavy Fuel 4:56
8 Iron Hand 3:09
9 Ticket To Heaven 4:25
10 My Parties 5:32
11 Planet Of New Orleans 7:48
12 How Long 3:50

Companies, etc.

  • Record CompanyWarner Music Group
  • Licensed FromWarner Records Inc.
  • Manufactured ForRhino Entertainment Company
  • Phonographic Copyright ℗Warner Records Inc.
  • Copyright ©Mobile Fidelity Sound Lab, Inc.
  • Recorded AtAir Studios
  • Mastered AtMobile Fidelity Sound Lab
  • Manufactured BySonopress – 58365289
  • Manufactured BySonopress – 58365290
  • Glass Mastered AtSony DADC – A0103466682-A911
  • Glass Mastered AtSony DADC – A0103466682-B911

Credits

  • Conductor [Strings Conducted By]George Martin
  • DesignSutton Cooper
  • Engineer [Assistant]Steve Orchard
  • Engineer [Engineered By]Chuck Ainlay
  • Mastered ByRob LoVerde
  • Mixed ByNeil Dorfsman (tracks: 1 to 6, 8 to12)
  • Mixed By [Assisted By]Avril Mackintosh (tracks: 7)
  • Performer [Dire Straits Are]Mark Knopfler
  • Photography By [Sleeve Photograph By]Paul Williams (29)
  • Producer [Produced By]Mark Knopfler

Notes

℗ 1991 & 2023 Warner Records Inc.
© 2023 Mobile Fidelity Sound Lab, Inc.

Numbered special edition hybrid SACD in replica LP gatefold sleeve. Comes with a 16-page lyric booklet. Track durations do not appear on artwork. SACD and Redbook CD audio durations match within 1 second for all tracks.

[Back cover and booklet]
Printed in the U.S.A.

[SACD face]
Disc made in Austria

Barcode and Other Identifiers

  • Barcode (Text): 8 21797 22396 6
  • Barcode (Scanned, UPC-A): 821797223966
  • Matrix / Runout (SACD layer): 58365289/0821797223966 A0103466682-A911 1000 2A00
  • Mastering SID Code (SACD layer): IFPI LY23
  • Matrix / Runout (CD layer): 58365290/0821797223966 A0103466682-B911 14 A00
  • Mastering SID Code (CD layer): IFPI L551
  • Mould SID Code: IFPI 94B1

Other Versions (5 of 213)

View All
Title (Format) Label Cat# Country Year
On Every Street (CD, Album) Vertigo 510 160-2 Europe 1991
Recently Edited
On Every Street (CD, Album) Vertigo 510 500-2 Netherlands 1991
On Every Street (LP, Album, Stereo) Vertigo 510 160-1 Europe 1991
Recently Edited
On Every Street (Cassette, Album) Vertigo 510160-4, 510 160-4 Europe 1991
Recently Edited
On Every Street (LP, Album) Vertigo 510 160-1 Spain 1991

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Reviews

  • buda_1985's avatar
    buda_1985
    This is a superb recording, but I have to it that the original pressing I also own gets very close to the MoFi version. As Funnystuff mentioned, the lower bass is less pronounced in the MoFi version. In of bass, I would prefer the first pressing, for the rest I would go for the MoFi recording.
    • nearperfection's avatar
      nearperfection
      I don't care about the source. It sounds better than any other digital version I've heard. Haven't given the MoFi lp a spin yet. Looking forward to that as I was already quite impressed with the previous (?) remaster. I'm still a fan of most MoFis...
      • exlg's avatar
        exlg
        MFSL2-510 - Dire Straits – On Every Street - PCM Digital Master
        https://magicvinyldigital.net/2023/04/27/mofi-analog-or-digital-sources-list-of-sources/
        • Funnystuff's avatar
          Funnystuff
          Edited one year ago
          The source for this SACD is -as confirmed by mofi- the 16-bit/44.1-kHz PCM-master.

          So, whatever differences or gains are to be expected from this release, keep in mind that the original CD already was capable of reproducing the master-file 1:1, and it still sounds fantastic today!

          This SACD sounds fine. Having a PCM-signal going through DSD, only to have it converted back to PCM in the D/A-section of 99% of the SACD-Players out there, that’s all one can hope for, I guess (very few players have a true DSD-output-capabiliy).

          Comparing the CD & the SACD, to my ears the differences are close to non-existent (no surprise at all, given the digital nature of the source). So, whatever difference is there, it must come from EQ. The mofi sure does have a little less punch in the lower end frequencies, reducing the impact of drums, bass, etc., making me actually prefer the CD over the SACD.

          Got my copy to finalize the collection, no other reason to bother. The early, all-analogue Dire-Straits albums on mofi-SACD are an absolute blast, though!
          • Jtneedham's avatar
            Jtneedham
            This MoFi sure beats my original cd, the sacd has Brilliant Soundstage, perfect highs and lows, percussion is spot on, vocals are awesome !!!

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