Billy Joel – The Stranger
Tracklist
A1 | Movin' Out (Anthony's Song) | 3:30 | |
A2 | The Stranger | 5:08 | |
A3 | Just The Way You Are | 4:50 | |
A4 | Scenes From An Italian Restaurant | 7:35 | |
B1 | Vienna | 3:32 | |
B2 | Only The Good Die Young | 3:54 | |
B3 | She's Always A Woman | 3:19 | |
B4 | Get It Right The First Time | 3:54 | |
B5 | Everybody Has A Dream | 4:35 |
Companies, etc.
- Phonographic Copyright ℗ – CBS Dischi
Credits
- Acoustic Guitar [Rhythm] – Mr. Steve Khan*
- Bass – Doug Stegmeyer
- Clarinet – Richie Cannata
- Drums – Liberty Devitto
- Electric Guitar – Mr. Steve Khan*
- Engineer – Phil Ramone
- Flute – Richie Cannata
- Guitar [High String] – Mr. Steve Khan*
- Keyboards [Electric] – Billy Joel
- Orchestrated By – Patrick Williams
- Organ – Richie Cannata
- Piano [Acoustic] – Billy Joel
- Producer – Phil Ramone
- Soprano Saxophone – Richie Cannata
- Synthesizer – Billy Joel
- Tenor Saxophone – Richie Cannata
- Twelve-String Guitar – Mr. Steve Khan*
- Vocals – Billy Joel
Notes
Comes with printed inner sleeve with english lyrics and credits and with a lyric sheet in italian.
Barcode and Other Identifiers
- Rights Society: SIAE
Other Versions (5 of 274)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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The Stranger (LP, Album) | CBS | SBP 237057 | New Zealand | 1977 | ||
Recently Edited
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The Stranger (LP, Album, Stereo) | CBS | CBS 82311, 82311, S CBS 82311, JC 34987 | UK | 1977 | ||
The Stranger (LP, Album, Stereo, Santa Maria Pressing) | Family Productions | JC 34987, 34987 | US | 1977 | |||
Recently Edited
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The Stranger (LP, Album) | CBS/Sony | 25AP 843 | Singapore & Malaysia | 1977 | ||
Recently Edited
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The Stranger (LP, Album) | Columbia | PC 34987, 34987 | Canada | 1977 |
Recommendations
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1976 ItalyLP, Album, Stereo
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Reviews
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Powerful and dark sound, perhaps a bit compressed in of dynamics, it does its duty especially when rock 'n roll makes its entrance and the music becomes more exciting and reaches high rhythms like on "Only The Good Die Young", where its fiery intro makes you want to dance on the spot, to let yourself be carried away by its wild colors, immediately. The same thing can't be said for the more quiet and introspective pieces, such as "Vienna" or "She's Always a Woman", where the mid-high frequencies, unfortunately cut down, don't benefit from that necessary spaciousness and airiness, strangled more than necessary.
Release
See all versions
Recently Edited
Recently Edited
For sale on Discogs
Sell a copy
11 copies from €2.00