The Mothers Of Invention* – Uncle Meat
Label: |
Bizarre Records – 2024 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Parody |
Tracklist
| A1 | Uncle Meat: Main Title Theme | 1:54 | |
| A2 | The Voice Of Cheese | 0:27 | |
| A3 | 400 Days Of The Year | 5:56 | |
| A4 | Zolar Czakl | 0:57 | |
| A5 | Dog Breath, In The Year Of The Plague | 5:51 | |
| A6 | The Legend Of The Golden Arches | 1:24 | |
| A7 | The Mothers Play Louie Louie At The Royal Albert Hall In London | 2:28 | |
| A8 | The Dog Breath Variations | 1:36 | |
| B1 | Sleeping In A Jar | 0:49 | |
| B2 | Our Bizarre Relationship | 1:05 | |
| B3 | The Uncle Meat Variations | 4:40 | |
| B4 | Electric Aunt Jemima | 1:53 | |
| B5 | Prelude To King Kong | 3:24 | |
| B6 | God Bless America (Live At The Whisky A Go Go) | 1:22 | |
| B7 | A Pound For A Brown On The Bus | 1:29 | |
| B8 | Ian Underwood Whips It Out (Live On Stage In Copenhagen) | 5:08 | |
| C1 | Mr. Green Genes | 3:10 | |
| C2 | We Can Shoot You | 1:48 | |
| C3 | "If We'd All Been Living In California . . . " | 1:29 | |
| C4 | The Air | 2:57 | |
| C5 | Project X | 4:47 | |
| C6 | Cruising For Burgers | 2:19 | |
| D1 | King Kong Itself (As Played By The Mothers In A Studio) | 0:53 | |
| D2 | King Kong (Its Magnificence As Interpreted By Dom DeWild) | 1:15 | |
| D3 | King Kong (As Motorhead Explains It) | 1:44 | |
| D4 | King Kong (The Gardner Varieties) | 6:17 | |
| D5 | King Kong (As Played By 3 Deranged Good Humor Trucks) | 0:29 | |
| D6 | King Kong (Live On A Flat Bed Diesel In The Middle Of A Race Track At A Miami Pop Festival . . . The Underwood Zappa Ramifications) | 7:25 |
Companies, etc.
- Record Company – Reprise Records
- Distributed By – Warner Bros. - Seven Arts Records, Inc.
- Pressed By – Columbia Records Pressing Plant, Santa Maria
- Mastered At – Customatrix
- Published By – Frank Zappa Music
- Published By – Third Story Music
- Recorded At – Apostolic Studios
Credits
- Design [Package Designed By] – Cal Schenkel
- Drums [Droll Humor, Poverty] – Jimmy Carl Black
- Drums [Some Pieces Before He Quit To Rhinoceros] – Billy (The Oozer) Mundi*
- Drums, Timpani, Vibraphone, Marimba, Xylophone, Wood Block [Wood Blocks], Bells, Chimes [Small Chimes], Other [Cheerful Outlook & Specific Enquiries] – Artie (With The Green Mustache) Tripp*
- Effects [Percussion Effects] – Jerry Hansen
- Electric Bass [& Cheeseburgers] – Roy Estrada
- Electric Organ, Piano, Harpsichord, Celesta [Celeste], Flute, Clarinet, Alto Saxophone, Baritone Saxophone [Special Assistance, Copyist, Industrial Relations & Teen Appeal] – Ian Underwood
- Electric Piano [Tarot Cards, Brown Rice] – Don Preston
- Engineer – Jerry Hansen
- Guitar, Vocals [Low Grade], Percussion – Frank Zappa
- Marimba, Vibraphone [Many Tracks] – Ruth Komanoff
- Piccolo Flute, Clarinet, Flute, Bass Clarinet, Soprano Saxophone, Alto Saxophone, Tenor Saxophone, Bassoon – Bunk (Sweetpants) Gardner*
- Producer – Frank Zappa
- Soprano Vocals – Roy* (tracks: A5, B3)
- Tenor Saxophone, Tambourine, Other [Pop Star, Obstinance & Equipment Setter-upper When He's Not Hustling Local Groupies] – Euclid James (Motorhead/Motorishi) Sherwood*
- Vocals [Swell Vocals] – Ray Collins
- Voice [Uncredited, Of Suzy Creamcheese] – Pamela Zarubica
- Written-By – Frank Zappa
- Written-By [Uncredited] – Richard Berry (tracks: A7)
Notes
Original Bizarre/Reprise Records release.
Issued with gatefold jacket, 12 page color booklet (drawings, photos, paintings), and Bizarre label inner sleeve's.
First cat.nr. on labels and spine, second on front cover and inside the gatefold.
Recorded at Apostolic Studios, NYC
October 1967-February 1968
Percussion overdubs at Sunset Sound, LA
March-April, 1968
Special thanks to: Ruth Komanoff & Nelcy Walker
Runouts are etched except 'o' is stamped.
Issued with gatefold jacket, 12 page color booklet (drawings, photos, paintings), and Bizarre label inner sleeve's.
First cat.nr. on labels and spine, second on front cover and inside the gatefold.
Recorded at Apostolic Studios, NYC
October 1967-February 1968
Percussion overdubs at Sunset Sound, LA
March-April, 1968
Special thanks to: Ruth Komanoff & Nelcy Walker
Runouts are etched except 'o' is stamped.
Barcode and Other Identifiers
- Rights Society: BMI
- Matrix / Runout (Side A label): 30,871
- Matrix / Runout (Side B label): 30,872
- Matrix / Runout (Side C label): 30,873
- Matrix / Runout (side D label): 30,874
- Matrix / Runout (Side A runout): S 1 30871 MS 2024A -1B o A4
- Matrix / Runout (Side B runout): Ƨ 1 30872 MS 2024B -1B o A4
- Matrix / Runout (Side C runout): Ƨ 1 30873MS 2024C -1B o A2
- Matrix / Runout (Side D runout): 1 30874 MS 2024D -1B o A3
Other Versions (5 of 90)
View All| Title (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Uncle Meat (2×LP, Album, Stereo, CTH, 400, Autocoupled) | Reprise Records | 2MS 2024, 2024 | US | 1969 | ||
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Recently Edited
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Uncle Meat (2×LP, Album) | Transatlantic Records | TRA 197 | UK | 1969 | ||
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Recently Edited
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Uncle Meat (2×LP, Album, Stereo) | Reprise Records | MS 2024 | 1969 | |||
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Recently Edited
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Uncle Meat (2×LP, Album, CSM, 400, Autocoupled) | Reprise Records | 2024, 2MS 2024 | US | 1969 | ||
|
Recently Edited
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Uncle Meat (2×LP, Album, Auto-coupled) | Reprise Records | 2024, 2MS 2024 | Canada | 1969 |
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