Portishead – Roseland NYC Live
Label: |
Music On Vinyl – MOVLP480 |
|---|---|
Format: |
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Country: |
Europe |
Released: |
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Genre: |
Electronic |
Style: |
Experimental |
Tracklist
| A1 | Humming | |
| A2 | Cowboys | |
| A3 | All Mine | |
| B1 | Mysterons | |
| B2 | Only You | |
| B3 | Half Day Closing | |
| B4 | Over | |
| C1 | Glory Box | |
| C2 | Sour Times | |
| D1 | Roads | |
| D2 | Strangers |
Companies, etc.
- Manufactured By – Music On Vinyl
- Pressed By – Record Industry – 91885
- Distributed By – Music On Vinyl B.V.
- Phonographic Copyright ℗ – Go! Beat
- Phonographic Copyright ℗ – Universal Music B.V.
- Copyright © – Universal Music B.V.
- Recorded At – Roseland Ballroom
- Recorded At – The Warfield
- Recorded At – Quart Festival
- Published By – Chrysalis Music Ltd.
- Published By – EMI Music Publishing
- Published By – Rondor Music Ltd.
- Published By – Warner Chappell Music
- Published By – MCA Music
Credits
- Arranged By [Orchestral Arrangements] – Nick Ingman
- Bass – John Miller (2) (tracks: A1 to C1, D2)
- Cello – Suzie Katayama (tracks: A1 to C1, D2)
- Conductor – Nick Ingman (tracks: A1 to C1, D2)
- Design – Sarah Sherley-Price
- Engineer [Live Audio] – Keith Grant
- Engineer [Post Production, Assistant] – Paul Read (tracks: D1)
- Engineer [Post Production] – Rik Simpson (tracks: D1)
- Engineer [Quart Festival Recording] – Øystein Halvorsen (tracks: D1)
- Engineer [San Francisco Recording] – John Neilson (tracks: C2)
- Management – Fruit (8)
- Management [Concert Manager] – Caroline Killoury
- Mixed By [San Francisco Recording, Assistant] – Paul Read (tracks: C2)
- Mixed By [San Francisco Recording] – Rik Simpson (tracks: C2)
- Music Director – Geoff Barrow
- Orchestra [Manager] – Jesse Levy
- Producer – Portishead
- Producer [Post Production] – Geoff Barrow (tracks: C2, D1)
- Production Manager [Concert Manager] – Peter Hillier
- Production Manager [Concert Production Assistant] – Georgina Bennett
- Recorded By – Sean McClintock (tracks: A1 to C1, D2)
- Viola – Susan Follari (tracks: A1 to C1, D2)
- Violin – Anthony Posk* (tracks: A1 to C1, D2)
- Written-By – Shorter* (tracks: D2)
Notes
Recorded live on 1997-07-24 (Roseland)
Track C2 recorded on 1998-04-01 (The Warfield)
Track D1 recorded on 1998-07-03 (Quart Festival)
180 gram audiophile vinyl pressing.
Gloss-coated non-gatefold sleeve (both LPs in same insert), gloss-coated printed innersleeves.
There are no playing times credited on this release.
On sleeve back & labels:
"Original Release ℗ 1998 Go Beat. This release ℗ & © 2012 Universal Music B.V. Manufactured & Distributed by Music On Vinyl B.V. for Universal Music B.V. (...) Made in the EU."
Publishing companies listed for each songwriter:
Barrow/Gibbins/Utley --> Chrysalis
Thorne/Hardson/Steward --> EMI
Hayes --> Rondor
Schifrin --> Warner Chappell
Shorter --> MCA
Track C2 recorded on 1998-04-01 (The Warfield)
Track D1 recorded on 1998-07-03 (Quart Festival)
180 gram audiophile vinyl pressing.
Gloss-coated non-gatefold sleeve (both LPs in same insert), gloss-coated printed innersleeves.
There are no playing times credited on this release.
On sleeve back & labels:
"Original Release ℗ 1998 Go Beat. This release ℗ & © 2012 Universal Music B.V. Manufactured & Distributed by Music On Vinyl B.V. for Universal Music B.V. (...) Made in the EU."
Publishing companies listed for each songwriter:
Barrow/Gibbins/Utley --> Chrysalis
Thorne/Hardson/Steward --> EMI
Hayes --> Rondor
Schifrin --> Warner Chappell
Shorter --> MCA
Barcode and Other Identifiers
- Barcode (Scanned): 600753369968
- Barcode (Text): 0 600753 369968
- Barcode (String): 0600753369968
- Rights Society: BIEM/SDRM
- Matrix / Runout (Runout Side A, Stamped): 91885 1A MOVLP 480
- Matrix / Runout (Runout Side B, Stamped): 91885 1B MOVLP 480
- Matrix / Runout (Runout Side C, Stamped): 91885 1C MOVLP 480
- Matrix / Runout (Runout Side D, Stamped): 91885 1D MOVLP 480
Other Versions (5 of 76)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
| Roseland NYC Live (CD, Album, Enhanced, Digipak, Slipcase) | Go! Beat | 559 446-2 | UK | 1998 | |||
| Roseland NYC Live (2×LP, Album) | Go! Beat | 559 424-1 | UK & Europe | 1998 | |||
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Recently Edited
|
Roseland NYC Live (CD, Album) | Go! Beat | PO-7333 | Japan | 1998 | ||
| Roseland NYC Live (CD, Album, Club Edition) | London Records | P2 59424 | US | 1998 | |||
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Recently Edited
|
Roseland NYC Live (CD, Album) | Go! Beat | 559 424-2 | Argentina | 1998 |
Recommendations
Reviews
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One of the best sounding live recording in my collection on Vinyl. This is absolutely stunning pressing! A true gem in of sound quality and pressing. It is a keeper! -
Unbelievable how great this live album sounds. One of the greatest ever. I’ve never spun this for others without someone inquiring about it so they can look for a copy of their own. -
Unbelievable how great this live album sounds. One of the greatest ever. I’ve never spun this for others without someone inquiring about it so they can look for a copy of their own.
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This pressing is crystal clear. I put off picking up a copy of this for some time as I already have their other albums and have numerous copies of this concert performance in other formats. I scooped it up based on the pressing being MOV and the price being discounted.
I am pleased to have it and look forward to many rainy days and quiet mornings when I will enjoy listening while sadly sipping coffee alone. -
Disk2 sounds amazing…unfortunately it came with 2 of them so I can’t tell you how disk 1 sounds.
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Great sounding record that I finally pulled the trigger on. My copy has hardly any surface noise and the music sounds fantastic. My only gripes concern the content. Why add two non-Roseland tracks on side 4? I have the DVD of the show and there are songs on there that aren't on the record - could they not have put those on instead? -
Wow. Why did I wait so long to buy this? Sounds absolutely incredible. Vinyl is flat, quiet; and dynamic. MOV does it again
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Excelent sounding pressing, Amazing sonic journey!
This is definitely one the best albums of my colection, just wish that it would have been a gatefold version instead of single sleeve, just a personal opinion. The album is excelent! -
I'm giving four stars because of the inner sleeves: why not using the usual poly-lined paper inner sleeves instead of two cardboard ones? The record sounds good by the way, really nice soundstage and punch!
Release
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