The Beatles – Rubber Soul
Label: |
Parlophone – PCS 3075 |
|---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Pop |
Style: |
Pop Rock |
Tracklist
| A1 | Drive My Car | |
| A2 | Norwegian Wood (This Bird Has Flown) | |
| A3 | You Won't See Me | |
| A4 | Nowhere Man | |
| A5 | Think For Yourself | |
| A6 | The Word | |
| A7 | Michelle | |
| B1 | What Goes On | |
| B2 | Girl | |
| B3 | I'm Looking Through You | |
| B4 | In My Life | |
| B5 | Wait | |
| B6 | If I Needed Someone | |
| B7 | Run For Your Life |
Companies, etc.
- Phonographic Copyright ℗ – EMI Records Ltd.
- Copyright © – EMI Records Ltd.
- Published By – Sony / ATV Music Publishing
- Manufactured By – Capitol Records, LLC
- Pressed By – Rainbo Records – S-73790
- Pressed By – Rainbo Records – S-73791
Credits
- Backing Vocals – Paul* (tracks: A2, A5, B1, B2, B6, B7)
- Lead Vocals – Ringo* (tracks: B1)
- Photography By – Robert Freeman (4)
- Producer – George Martin
- Written-By – Starkey* (tracks: B1)
Notes
First vinyl re-issue using the 2009 digital remasters. This is the US edition with the mentioning of Capitol Records on the hype sticker (see last pic). For the UK & Europe release, see Rubber Soul.
Differentiations from later pressings include:
-Labels have the cat. # 094638241812 (same as the UPC) with the Sony/ATV publisher's text at the bottom.
-Perimeter text begins with "Digital Remaster ℗ 2009...."
-Back jacket includes the original cat. # PCS 3075.
180 gram vinyl.
Hype sticker text:
This album has been prepared using the 2009 digital remasters which had been created from George Martin's CD mixes made in 1986.
The UPC is printed only on the hype sticker.
℗ 2009
Runouts are all etched.
Differentiations from later pressings include:
-Labels have the cat. # 094638241812 (same as the UPC) with the Sony/ATV publisher's text at the bottom.
-Perimeter text begins with "Digital Remaster ℗ 2009...."
-Back jacket includes the original cat. # PCS 3075.
180 gram vinyl.
Hype sticker text:
This album has been prepared using the 2009 digital remasters which had been created from George Martin's CD mixes made in 1986.
The UPC is printed only on the hype sticker.
℗ 2009
Runouts are all etched.
Barcode and Other Identifiers
- Pressing Plant ID (Runouts): S-#####
- Barcode (Scanned): 094638241812
- Barcode (Text): 0 94638 24181 2
- Matrix / Runout (Side A Variant 1): S-73790 M1S23 S
- Matrix / Runout (Side B Variant 1): S-73791 M1S23 M
- Matrix / Runout (Side A Variant 2): S-73790 M1S9 S
- Matrix / Runout (Side B Variant 2): S-73791 M1S9 i...i M
- Matrix / Runout (Side A Variant 3): S-73790 M3 S
- Matrix / Runout (Side B Variant 3): S-73791 M3 i...i M
- Matrix / Runout (Side A Variant 4): S-73790 M1S9 S
- Matrix / Runout (Side B Variant 4): S-73791 M1S11 i...i M
- Matrix / Runout (Side A Variant 5): S-73790 M1S13 S
- Matrix / Runout (Side B Variant 5): S-73791 M1S13 i...i M
- Matrix / Runout (Side A Variant 6): S-73790 M1S12 S
- Matrix / Runout (Side B Variant 6): S-73791 M3 i..i M
Other Versions (5 of 956)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
Recently Edited
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Rubber Soul (LP, Album, Repress, Mono, Ernest J. Day print) | Parlophone | PMC 1267 | UK | 1965 | ||
| Rubber Soul (LP, Stereo, Album, 1st) | Parlophone | PCS 3075 | UK | 1965 | |||
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Recently Edited
|
Rubber Soul (LP, Album, Stereo) | Odeon | SMO 84 066 | 1965 | |||
|
Recently Edited
|
Rubber Soul (LP, Album, Mono) | Parlophone | PMCM 1267 | New Zealand | 1965 | ||
|
Recently Edited
|
Rubber Soul (LP, Album, Mono) | Parlophone | PMC 1267 | Scandinavia | 1965 |
Recommendations
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2016 WorldwideVinyl —LP, Album, Reissue, Remastered, Repress, Stereo -
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Reviews
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Edited 6 months agoAgree with other 5 star reviews below! Ive had this sitting sealed for years because I have the all analog mono cut of this and never bothered playing this, but for this to be cut from digital file sounds very dynamic and punchy to my ears!!!
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I hear this edition wonderfully, the pressing is excellent, voices and instruments are well defined and with a lot of detail.
It doesn't sound digital to me at all, although it is true that the masters used are digital. -
This pressing is good, I don't have any imperfections in my copy really, I don't even have minor surface noise, but it does sound like the audio was sourced from a CD. Otherwise pretty good pressing, an affordable pressing, and good for someone who is just starting to collect vinyl.
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Minor surface noise, otherwise it sounds fantastic. Great purchase for around 20 USD. -
I don’t really like this pressing, and it’s a shame that it’s the only reasonably priced one out there readily available. -
I’ve noticed it’s “fizzy” for lack of a better term. Where there should be crisp and clear stereo separation, there’s an annoying rattle, especially on the high ends. I thought there was something wrong with my turntable, but when I played another record it sounded totally fine. In all honesty it’s kind of distracting, disappointing to see them skimp on such a huge name like The Beatles. -
I live in UK and bought.mine from Amazon UK but weirdly i got a US pressing with the Rainbo deadwax. Net result a total write off of nonfilled garbage. Exchanged for EU and guess what... flawless. Thank god Rainblow are no more
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Great stereo pressing. Lovely separation crisp lows nice kids and fat lows. Sometimes you have to accept that old technology (mono) has to go the way of the dinosaurs. If mono is so fantastic we would still here everything in mono.
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Steer way clear of this disaster. It's sourced from George Martin's 1987 16-bit digital remix, which for some reason is considered to be "canon." This screams "CD cut to vinyl!" in the worst way possible. Dull, lifeless, one-dimensional, and thin sound. Why on earth didn't they just cut this (and indeed all of the 2012 stereo LPs) from the original master tapes? Pick yourself up a 1970s or 1980s Parlophone UK reissue, which both sound infinitely better. I particularly like the way my 1984 UK reissue sounds, and it can be found for a great price.
Release
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Recently Edited
Recently Edited
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