Johnny Cash – American IV: The Man Comes Around

Johnny Cash - American IV: The Man Comes Around album cover

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Label:

 Lost Highway – 063 339-2

Series:

 The American Recordings – IV

Format:
CD , Album , Universal M & L

Country:

 Europe

Released:

Genre:

 Folk, World, & Country

Style:

 Folk

Tracklist

1 The Man Comes Around
Acoustic Guitar – Smokey Hormel
Piano, Organ – Benmont Tench
Written-By – John R. Cash*
4:26
2 Hurt
Acoustic Guitar – Smokey Hormel
Piano, Organ, Mellotron – Benmont Tench
Written-By – Trent Reznor
3:38
3 Give My Love To Rose
Acoustic Guitar – Smokey Hormel
Harmonium, Organ – Benmont Tench
Written-By – John R. Cash*
3:28
4 Bridge Over Troubled Water
Acoustic Guitar – Smokey Hormel
Chamberlin [Chamberlain], Mellotron, Piano – Roger Manning, Jr.*
Vocals – Fiona Apple
Written-By – Paul Simon
3:55
5 I Hung My Head
Acoustic Guitar – Smokey Hormel
Piano, Organ, Vibraphone [Vibes] – Benmont Tench
Written-By – Sting
3:53
6 First Time Ever I Saw Your Face
Acoustic Guitar – Smokey Hormel
Piano, Organ – Benmont Tench
Written-By – Ewan MacColl
3:52
7 Personal Jesus
Acoustic Guitar – John Frusciante
Piano – Billy Preston
Slide Guitar – Smokey Hormel
Written-By – Martin L. Gore
3:20
8 In My Life
Acoustic Guitar – Smokey Hormel
Harmonium – Benmont Tench
Harmonium, Bells [Orchestra] – Roger Manning, Jr.*
Written-By – John Lennon/Paul McCartney*
2:57
9 Sam Hall
Acoustic Guitar – Smokey Hormel
Arranged By – John R. Cash*
Harmonium – Benmont Tench
Piano [Tack Piano] – Roger Manning, Jr.*
Ukulele – David Ferguson
2:40
10 Danny Boy
Arranged By – John R. Cash*
Organ [Pipe Organ] – Benmont Tench
3:19
11 Desperado
Acoustic Guitar – Randy Scruggs
Organ, Harmonium, Electric Piano [Wurlitzer] – Benmont Tench
Vocals – Don Henley
Written-By – Glenn Frey
3:13
12 I'm So Lonesome I Could Cry
Acoustic Guitar – Smokey Hormel
Piano – Benmont Tench
Vocals – Nick Cave
Written-By – Hank Williams
3:03
13 Tear Stained Letter
Acoustic Guitar – Randy Scruggs
Drums – Joey Waronker
Piano – Billy Preston
Written-By – John R. Cash*
3:41
14 Streets Of Laredo
Acoustic Guitar – Randy Scruggs
Arranged By, Adapted By – John R. Cash*
Fiddle – Laura Cash
Piano, Harmonium – Benmont Tench
3:33
15 We'll Meet Again
Acoustic Guitar – Thom Bresh
Clarinet – Terry Harrington
Fiddle – Laura Cash
Vocals – The Whole Cash Gang
Written-By – Ross Parker
2:58

Companies, etc.

  • Phonographic Copyright ℗ – The American Recording Company, LLC.
  • Phonographic Copyright ℗ – American Recordings, LLC
  • Copyright © – The American Recording Company, LLC.
  • Copyright © – American Recordings, LLC
  • Published By – Song Of Cash Music, Inc.
  • Published By – Leaving Hope Music
  • Published By – TVT Music, Inc.
  • Published By – Leaving Hope Music, Inc.
  • Published By – House Of Cash, Inc.
  • Published By – Paul Simon Music
  • Published By – EMI Blackwood Music Inc.
  • Published By – David Platz Music, Inc.
  • Published By – Sony/ATV Tunes LLC
  • Published By – Song Of Cash, Inc.
  • Published By – Cass County Music
  • Published By – Red Cloud Music
  • Published By – Acuff-Rose Music, Inc.
  • Published By – Music Sales Corp.
  • Recorded At – Cash Cabin Studio
  • Recorded At – Akademie Mathematique of Philosophical Sound Research
  • Mixed At – Akademie Mathematique of Philosophical Sound Research
  • Mastered At – Sony Mastering
  • Made By – Universal M & L, – 51321250

Credits

  • Art Direction, Design – Christine Cano
  • Engineer [Additional Engineering] – Thom Russo
  • Executive-Producer [Associate Producer] – John Carter Cash
  • Liner Notes – Johnny Cash
  • Mastered By – Vlado Meller
  • Photography By – Martyn Atkins
  • Producer – Rick Rubin
  • Production Manager [Album Production Coordinator] – Lindsay Chase
  • Production Manager [Production Assistant] – Laura Cash
  • Recorded By, Mixed By – David Ferguson

Notes

Recorded at Cash Cabin Studio, Nashville, TN, Akademie Mathematique of Philosophical Sound Research , Los Angeles, CA.
Mixed at Akademie Mathematique of Philosophical Sound Research , Los Angeles, CA.
Mastered at Sony Mastering, New York, NY.

Fiona Apple appears courtesy of Epic Records. Nick Cave appears courtesy of Anti Inc. Records.
Don Henley appears courtesy of Warner Bros. Records.

12-page booklet with liner notes and credits. Clear jewel tray case.

Printed on the disc:
℗ 2002 American Recording Company, LLC.
© 2002 American Recording Company, LLC., a division of UMG Recordings, Inc.

Printed on the back cover:
℗ 2002 American Recordings, LLC.
© 2002 American Recordings, LLC., a division of UMG Recordings, Inc.

Song publishing details:
1. Song of Cash Music, Inc. (ASCAP)
2. Leaving Hope Music/TVT Music, Inc. (ASCAP)
3. House of Cash, Inc. (BMI)
4. Paul Simon Music (BMI)
5. EMI Blackwood Music (BMI)
6. David Platz Music, Inc. (BMI)
7. EMI Blackwood Music (BMI)
8. Sony ATV Tunes LLC (ASCAP)
9. Song of Cash, Inc.
10. Song of Cash, Inc.
11. Cass County Music (BMI), Red Cloud Music (BMI)
12. Acuff Rose Music Inc. (BMI)
13. Song of Cash Music, Inc. (ASCAP)
14. Song of Cash Music, Inc. (ASCAP)
15. Music Sales Corporation (ASCAP)

Made in the EU.

This release may come with a white sticker on the front of the case saying:

THE MAN COMES AROUND
Brand New Studio Album

The Fourth In The
Grammy-Winning
American Recordings
Series
063 339-2

Barcode and Other Identifiers

  • Barcode (Text): 0 44006 33392 2
  • Barcode (Scanned): 044006333922
  • Label Code: LC 01846
  • Rights Society: BIEM/MS
  • Rights Society (Tracks 1, 2, 8, 13 to 15): ASCAP
  • Rights Society (Tracks 3 to 7, 9 to 12): BMI
  • Matrix / Runout (Variant 1): 00440 063 339-2 01 + 51321250
  • Matrix / Runout (Mould on inner hub, variant 1): MADE IN BY UNIVERSAL M & L A
  • Mastering SID Code (Variant 1): IFPI LV26
  • Mould SID Code (Variant 1): IFPI 0122
  • Matrix / Runout (Variant 2): 00440 063 339-2 03 + 51321250
  • Matrix / Runout (Mould on inner hub, variant 2): MADE IN BY UNIVERSAL M & L A
  • Mould SID Code (Variant 2): IFPI 0130
  • Matrix / Runout (Variant 3): 00440 063 339-2 02 * 51321250
  • Matrix / Runout (Mould on inner hub, variant 3): MADE IN BY UNIVERSAL M & L A
  • Mastering SID Code (Variant 3): IFPI LV26
  • Mould SID Code (Variant 3): IFPI 0112
  • Matrix / Runout (Variant 4): 00440 063 339-2 01 + 51321250
  • Matrix / Runout (Mould on inner hub, variant 4): MADE IN BY UNIVERSAL M & L M
  • Mastering SID Code (Variant 4): IFPI L002
  • Mould SID Code (Variant 4): IFPI 0119
  • Matrix / Runout (Variant 5): 00440 063 339-2 01 + 51321250
  • Matrix / Runout (Mould on inner hub, variant 5): MADE IN BY UNIVERSAL M & L M
  • Mastering SID Code (Variant 5): IFPI L002
  • Mould SID Code (Variant 5): IFPI 0121
  • Matrix / Runout (Variant 6): 00440 063 339-2 02 * 51321250
  • Matrix / Runout (Mould on inner hub, variant 6): MADE IN BY UNIVERSAL M & L A
  • Mastering SID Code (Variant 6): IFPI LV26
  • Mould SID Code (Variant 6): IFPI 0126
  • Matrix / Runout (Variant 8): 00440 063 339-2 01 + 51321250
  • Matrix / Runout (Mould on inner hub, variant 8): MADE IN BY UNIVERSAL M & L B
  • Mastering SID Code (Variant 8): IFPI L002
  • Mould SID Code (Variant 8): IFPI 0122
  • Matrix / Runout (Variant 9): 00440 063 339-2 01 + 51321250
  • Matrix / Runout (Mould on inner hub, variant 9): MADE IN BY UNIVERSAL M & L N
  • Mastering SID Code (Variant 9): IFPI L002
  • Mould SID Code (Variant 9): IFPI 0144
  • Matrix / Runout (Variant 10): 00440 063 339-2 01 + 51321250
  • Matrix / Runout (Mould on inner hub, variant 10): MADE IN BY UNIVERSAL M & L J
  • Mastering SID Code (Variant 10): IFPI L002
  • Mould SID Code (Variant 10): IFPI 01B0
  • Matrix / Runout (Variant 11): 00440 063 339-2 02 ✳ 51321250
  • Matrix / Runout (Variant 11): MADE IN BY UNIVERSAL M & L A
  • Mastering SID Code (Variant 11): IFPI LV26
  • Mould SID Code (Variant 11): IFPI 0118
  • Matrix / Runout (Variant 12): 00440 063 339-2 02 ✳ 51321250
  • Matrix / Runout (Mould on inner hub, variant 12): MADE IN BY UNIVERSAL M & L A
  • Mastering SID Code (Variant 12): IFPI LV26
  • Mould SID Code (Variant 12): IFPI 0145
  • Matrix / Runout (Variant 13): 00440 063 339-2 01 + 51321250
  • Matrix / Runout (Hub, Variant 13): MADE IN BY UNIVERSAL M & L B
  • Mastering SID Code (Variant 13): IFPI L002
  • Mould SID Code (Variant 13): IFPI 0121
  • Matrix / Runout (Variant 14): 00440 063 339-2 01 + 51321250
  • Matrix / Runout (Hub, Variant 14): MADE IN BY UNIVERSAL M & L O
  • Mastering SID Code (Variant 14): IFPI L002
  • Mould SID Code (Variant 14): IFPI 01BC

Other Versions (5 of 67)

View All
Title (Format) Label Cat# Country Year
American IV: The Man Comes Around (2×LP, Album, Stereo) Lost Highway 440 063 336-1 US 2002
American IV: The Man Comes Around (CD, Album) Lost Highway 440 063 339-2 US 2002
American IV: The Man Comes Around (CD, Album, Enhanced, CD, , All Media, Limited Edition) Lost Highway 170 368-2 Europe 2002
American IV: The Man Comes Around (CD, Album) Lost Highway 063 339-2 Australia 2002
American IV: The Man Comes Around (CDr, Album, Promo) Universal Music Group none US 2002

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Reviews

  • LeonardoA's avatar
    LeonardoA
    In 1994 made country music singer Johnny Cash (1932) a striking comeback by rock producer Rick Rubin. Initially self-titled result appeared on Rubins American Recordings record label soon popularly and got the same name. The collaboration went so well that there with Unchained (1996) and Solitary Man (2000) follow-up albums. In 2002, Johnny not only seventy (!) years old, but also appeared in the four part series American Recordings: The Man Comes Around. The cd was made according to the same master and that means again an acoustic album on which Cash own compositions alternating with some striking and songwriters who have created and covers. This time he has numbers as Personal Jesus (original by Depeche Mode), In My Life (The Beatles), Desperado (The Eagles) and I Hung My Head "(Sting) to know his hand. In the row covers is really only the Sung duet with Fiona Apple Bridge Over Troubled Water (Simon & Garfunkel) somewhat against. Absolute highlights include the title track, written by Cash himself the Hank Williams classic I'm So Lonesome I Could Cry and the Nine Inch Nails-Hurt, which cover the listener literally by the throat.

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