Big Daddy Kane – Long Live The Kane
Label: |
Warner Bros. Records – 1-25731 |
---|---|
Format: |
Vinyl
, LP, Album
|
Country: |
US |
Released: |
|
Genre: |
Hip Hop |
Style: |
Boom Bap |
Tracklist
A1 | Long Live The Kane | 4:55 | |
A2 | Raw (Remix) | 5:45 | |
A3 | Set It Off | 4:07 | |
A4 | The Day You're Mine | 5:12 | |
A5 | On The Bugged Tip | 3:18 | |
B1 | Ain't No Half Steppin' | 5:18 | |
B2 | I'll Take You There | 4:55 | |
B3 | Just Rhymin' With Biz | 4:02 | |
B4 | Mister Cee's Master Plan | 5:24 | |
B5 | Word To The Mother (Land) (Extended Remix) | 3:09 |
Companies, etc.
- Distributed By – Warner Bros. Records Inc.
- Manufactured By – Warner Bros. Records Inc.
- Phonographic Copyright ℗ – Warner Bros. Records Inc.
- Copyright © – Warner Bros. Records Inc.
- Pressed By – Specialty Records Corporation
- Published By – Cold Chillin' Music Publishing
Credits
- Hair, Make-Up – Sam (161)
- Other [Help] – Shim Shom (tracks: B3)
- Photography By, Design – George DuBose
- Producer, Mixed By – Marley Marl
- Scratches [Cuts And Scratches] – Mister "Cee"*
- Songwriter – Antonio Hardy
- Stylist [Set And Costume Stylist] – Brett C. Lewis
Notes
Album dedicated to Anthony (A.J. Fresh) Jenkins
Also in memory of Scott La Rock, Geno and Leonard Thomas.
Cold Chillin' Records Inc
Manufactured and distributed by Warner Bros. Records Inc., a Warner Communications Company
℗ 1988 Warner Bros. Records Inc.
Made in USA
All songs published by Cold Chillin' Music Publ. ASCAP
Marley Marl Intl.
A Prism Records production
Also in memory of Scott La Rock, Geno and Leonard Thomas.
Cold Chillin' Records Inc
Manufactured and distributed by Warner Bros. Records Inc., a Warner Communications Company
℗ 1988 Warner Bros. Records Inc.
Made in USA
All songs published by Cold Chillin' Music Publ. ASCAP
Marley Marl Intl.
A Prism Records production
Barcode and Other Identifiers
- Barcode: 0 7599-25731-1 5
- Matrix / Runout (A-side runout): 1-25731-A-SR1 1-1 SRC
- Matrix / Runout (B-side runout): 1-25731-B-SR2 1-1 SRC
- Pressing Plant ID (Logo stamped in runouts): SRC
- Rights Society: ASCAP
Other Versions (5 of 21)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
Long Live The Kane (LP, Album) | Cold Chillin' | 925 731-1 | Europe | 1988 | ||
Recently Edited
|
Long Live The Kane (CD, Album) | Cold Chillin' | 9 25731-2 | US | 1988 | ||
Recently Edited
|
Long Live The Kane (Cassette, Album) | Cold Chillin' | 925 731-4 | UK | 1988 | ||
New Submission
|
Long Live The Kane (LP, Album) | Cold Chillin' | 92 57311 | Canada | 1988 | ||
New Submission
|
Long Live The Kane (Cassette, Album) | Warner Bros. Records | 92 57314 | Canada | 1988 |
Recommendations
Reviews
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This album turns 30 years old today and is easily one of the greatest golden era hip-hop albums to have been released. Big Daddy Kane’s quick and suave lyrical delivery partnered with legendary Marley Marl’s production propelled his debut album to RIAA certified gold. Numerous lines from this album have been heavily sampled in other popular hip-hop songs and if you haven’t heard a track from this project, don’t be surprised if you hear a line which is sampled in another song. Due to the success of this album, he was the first MC to popularise the four-finger rings, velour suit and dookie chain style. Kane is a pioneer of hip-hop and will be ed as one of the greatest to ever hold a mic, he has influenced many other great MCs i.e. Nas, Biggie, Jay-Z, Eminem etc. This album was a turned point in hip-hop where lyrical skills started to become much more complex and sophisticated than it had in the past.
No doubt this is a hip-hop classic and all hip-hop heads should listen to this understand how influential Kane was in a time when no one else had this style. Stand out songs: Raw, Ain’t No Half-Steppin’ and Just Rhymin’ With Biz.
Since this is a relatively short album (~46 mins, no excuse not to listen to this classic) it fits on a single LP. The LP plays through quite nicely, mine is a little worn with a few pops and snaps in between songs, but that just adds more character to this album. I don’t have any complaints with the quality of this LP, vocals and bass come together to sound great.
5/5 for the album, 4/5 for the pressing.
Release
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Recently Edited
Recently Edited
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