Elton JohnCaptain Fantastic And The Brown Dirt Cowboy

Label:

DJM Records (2) – DJLPX 1

Format:

Vinyl , LP, Album, Stereo , Gatefold

Country:

UK

Released:

Genre:

Pop

Style:

Pop Rock

Tracklist

A1 Captain Fantastic And The Brown Dirt Cowboy
Acoustic Guitar, Electric Guitar, MandolinDavey Johnstone
Electric Piano, Piano [Acoustic]Elton John
Shaker, Congas, Gong, Quijada [Jawbone], TambourineRay Cooper
5:32
A2 Tower Of Babel
Electric GuitarDavey Johnstone
PianoElton John
TambourineRay Cooper
4:22
A3 Bitter Fingers
Backing VocalsNigel Olsson
Bells, Bell Tree, Tambourine, CongasRay Cooper
Electric Guitar, Backing VocalsDavey Johnstone
PianoElton John
4:25
A4 Tell Me When The Whistle Blows
Arranged By [Orchestral Arrangement]Gene Page
Electric GuitarDavey Johnstone
Electric Piano, ClavinetElton John
Tambourine, CongasRay Cooper
4:13
A5 Someone Saved My Life Tonight
Backing VocalsNigel Olsson
Electric Guitar [Leslie Guitars], Acoustic Guitar, Backing VocalsDavey Johnstone
Piano [Acoustic], Electric Piano, Synthesizer [Arp String Ensemble]Elton John
Tambourine, Shaker, CymbalRay Cooper
6:33
B1 (Gotta Get A) Meal Ticket
Backing VocalsNigel Olsson
Electric Guitar, Acoustic Guitar, Backing VocalsDavey Johnstone
Piano, ClavinetElton John
TambourineRay Cooper
3:54
B2 Better Off Dead
Acoustic Guitar, Backing VocalsDavey Johnstone
Backing VocalsNigel Olsson
Harmony Vocals, PianoElton John
TriangleRay Cooper
2:33
B3 Writing
Acoustic Guitar, Piano, Backing VocalsDavey Johnstone
Backing VocalsNigel Olsson
Harmony Vocals, Electric PianoElton John
Triangle, Shaker, BongosRay Cooper
3:33
B4 We All Fall In Love Sometimes
Backing VocalsNigel Olsson
Electric Guitar, Acoustic Guitar, Backing VocalsDavey Johnstone
Piano, Harpsichord, MellotronElton John
Synthesizer [Arp]Dave Hentschel*
Tambourine, Bells, CongasRay Cooper
4:09
B5 Curtains
Backing VocalsNigel Olsson
Electric Guitar, Acoustic Guitar, Backing VocalsDavey Johnstone
Piano, Harpsichord, Mellotron, Vocals [Lum-de-lums]Elton John
Synthesizer [Arp]Dave Hentschel*
Tambourine, Bells, CongasRay Cooper
6:03

Companies, etc.

  • Record CompanyDJM (Distributors) Limited
  • Recorded AtCaribou Ranch
  • Engineered AtCaribou Ranch
  • Remixed AtMarquee Studios
  • Published ByBig Pig Music Ltd.
  • Distributed ByPye Records (Sales) Ltd.
  • Phonographic Copyright ℗This Record Co. Ltd.
  • Copyright ©This Record Co. Ltd.
  • Copyright ©Alan Aldridge
  • Printed ByShorewood Packaging Co. Ltd.
  • Pressed ByTranco Limited

Credits

  • BassDee Murray
  • Design Concept [Graphics], Art DirectionDavid Larkham
  • Design [Package]David Larkham & Friends*
  • Design, Illustration [Album Cover]Harry Willock
  • DrumsNigel Olsson
  • EngineerJeff Guercio
  • Engineer [Assistant]Mark Guercio
  • Illustration [Booklets]John Hair (2)
  • Lacquer Cut ByArun*
  • Lettering [Lettering Help] [At Bloomsbury Group]Geoff Halpin
  • Photography By [Booklets]Michael Ross (3)
  • Photography By [Inner Sleeve]Terry O'Neill (2)
  • ProducerGus Dudgeon
  • Remix [Remixed By]Phil Dunne
  • VocalsElton John
  • Written-ByElton John & Bernie Taupin

Notes

Pressed on black vinyl which appears translucent (mostly reddish) when held to strong light. Some pressings will appear more translucent than others; this is due to the unique process at the Tranco pressing plant.

Gatefold sleeve.
Includes poster, 'Scraps' book and 'Lyrics' book.
Engineered at Caribou Ranch, Colorado.
Remixed at The Marquee Studios, London.
Lettering help at Bloomsbury Group.
Illustration © Alan Aldridge.
Davey Johnstone and Nigel Olsson appear by courtesy of The Rocket Record Company, Nigel Olsson also by courtesy of Drumork Productions.

All selections published by Big Pig Music, Ltd.
Made in England.

DJM (Distributors) Limited. James House, 71-75 New Oxford Street, London WC1A 1DP.
Distributed by Pye Records (Sales) Limited.

© 1975 This Record Co. Limited.
℗ 1975 This Record Co. Limited.
Interpak by Shorewood Packaging Co. Ltd. England.

Track durations from digitised vinyl.

Runouts are etched.

Barcode and Other Identifiers

  • Matrix / Runout (Side A label): DJLPX 1A
  • Matrix / Runout (Side B label): DJLPX 1B
  • Matrix / Runout (Side A runout, variant 1): DJLPX-1-A-1 ARUN
  • Matrix / Runout (Side B runout, variant 1): DJLPX-1-B-1 ARUN
  • Matrix / Runout (Side A runout, variant 2): DJLPX-1-A-4 ARUN
  • Matrix / Runout (Side B runout, variant 2): DJLPX1 B-3
  • Matrix / Runout (Side A runout, variant 3): DJLPX-1-A-1 2 A W ARUN
  • Matrix / Runout (Side B runout, variant 3): DJLPX-1-B-1 1 A B ARUN
  • Matrix / Runout (Side A runout, variant 4): DJLPX-1-A-1 8 ARUN BJ
  • Matrix / Runout (Side B runout, variant 4): DJLPX-1-B-2 9 ARUN BH

Other Versions (5 of 248)

View All
Title (Format) Label Cat# Country Year
Recently Edited
Captain Fantastic And The Brown Dirt Cowboy (LP, Album, Stereo, Gloversville Pressing, Gatefold) MCA Records MCA-2142 US 1975
Captain Fantastic And The Brown Dirt Cowboy (LP, Album, Stereo) DJM Records (2) DJLPX 1 Europe 1975
Recently Edited
Captain Fantastic And The Brown Dirt Cowboy (LP, Album, Stereo) MCA Records MCA-2142 Canada 1975
Recently Edited
Captain Fantastic And The Brown Dirt Cowboy (LP, Album) DJM Records (2) 2407 101 1975
Recently Edited
Captain Fantastic And The Brown Dirt Cowboy (LP, Album, Reissue, Stereo) DJM Records (2) DJH 20500, DJLPX 1 UK 1975

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Reviews

  • edgarholland's avatar
    edgarholland
    A couple I once knew introduced me to the album in the early ‘90’s. As a teenager in the eighties, I thought Elton was the devil (sorry Elton) as I hated his records from the ‘80’s. My friends insisted that I listen - I was blown away, I couldn’t believe how good this album is.
    I started looking for it and found it almost immediately in a record shop in Belfast called Hector’s House (now long gone). I picked up a mint first edition (with the dark red vinyl) with all the inserts for 5 English pounds. I could hardly believe my luck.
    The album is one of my all time favorites - and I’m a Velvet Underground/Captain Beefheart fanatic! I love everything about the album. The album is so good. Other people who have written reviews have done far better than I ever could, but what I will say is that Elton’s voice/singing on the album is astounding. He’s singing round this era (and his voice in general) is very underrated. The guy can sing like an angel.
    If you have heard the greatest hits albums and want somewhere to start in Elton’s huge catalog, then start here. This is Elton’s greatest album, and Bernie’s lyrics are a huge part of the album’s success.
    Highly recommended.
    • brian2021's avatar
      brian2021
      My favourite Elton album. The sound quality of the A1/B1 is spectacular. Very open and airy.

      You have to be careful with this one. Later post-1975 issues are also identified as 'DJLPX' with higher A/B numbers on the deadwax, but the record is black, not translucent red, and it doesn't sound as good as the A1/B1.
      • ecmarfin's avatar
        ecmarfin
        Edited one year ago
        Phenomenal mixing on this record. And to pair with the good mixing, we have a wide open soundstage. There are quite a few instruments playing at any given moment, so the soundstage is a bit jam packed. Robust midrange, though mostly bass shy. Possible that there was some roll off on the bass during the tapes' EQ process. This pressing isn't completely silent and has some stubborn pops and cracks during the quiet parts on the beginning of some new tracks. It does need a little juice in the volume department, but shines pretty brilliantly thereafter.
        • mark.johnson's avatar
          mark.johnson
          This is Elton's favourite and he says finest work. I bought it day of release and I am still listening to it. The packaging especially the booklets are extremely good and compliment the concept album - the music and vocals are the best and timeless
          • manmess's avatar
            manmess
            Edited one year ago
            my version: run out DJLPX-1A-1 ARUN, DJLPX-1-B ARUN, dark red translucent
            • benjamingreen's avatar
              benjamingreen
              Hi - should the Red Translucent vinyl version be separately listed? (As first listing is mix of black and red for sale?)
              • mvinger's avatar
                mvinger
                I have a U.S. MCA-2142.
                MCA-734 W28-II-I P.RC.
                MCA-735 W30-II-II P.R.C.
                Can anyone tell me more about this pressing?
                • SirPeter's avatar
                  SirPeter
                  Excluding any limited editions:
                  original UK release is of the (translucent) red, with the poster having thee horizontal folds
                  giving it nine s. This folds down to the approximate size of the two inserts.

                  2nd edition red with the common six s poster (ie, two horizontal folds)

                  3rd edition black vinyl /standard inserts = this was post 1976 when other
                  Elton John LPs were being repressed with yellow text labels, but obviously
                  as this had it's own custom label, stayed as is..

                  4th edition black, non- g/f sleeve (no barcode), now with a credits Inner Sleeve, and the poster.

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