Elton John – Captain Fantastic And The Brown Dirt Cowboy
Label: |
DJM Records (2) – DJLPX 1 |
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Format: |
|
Country: |
UK |
Released: |
|
Genre: |
Pop |
Style: |
Pop Rock |
Tracklist
A1 | Captain Fantastic And The Brown Dirt Cowboy | 5:32 | |
A2 | Tower Of Babel | 4:22 | |
A3 | Bitter Fingers | 4:25 | |
A4 | Tell Me When The Whistle Blows | 4:13 | |
A5 | Someone Saved My Life Tonight | 6:33 | |
B1 | (Gotta Get A) Meal Ticket | 3:54 | |
B2 | Better Off Dead | 2:33 | |
B3 | Writing | 3:33 | |
B4 | We All Fall In Love Sometimes | 4:09 | |
B5 | Curtains | 6:03 |
Companies, etc.
- Record Company – DJM (Distributors) Limited
- Recorded At – Caribou Ranch
- Engineered At – Caribou Ranch
- Remixed At – Marquee Studios
- Published By – Big Pig Music Ltd.
- Distributed By – Pye Records (Sales) Ltd.
- Phonographic Copyright ℗ – This Record Co. Ltd.
- Copyright © – This Record Co. Ltd.
- Copyright © – Alan Aldridge
- Printed By – Shorewood Packaging Co. Ltd.
- Pressed By – Tranco Limited
Credits
- Bass – Dee Murray
- Design Concept [Graphics], Art Direction – David Larkham
- Design [Package] – David Larkham & Friends*
- Design, Illustration [Album Cover] – Harry Willock
- Drums – Nigel Olsson
- Engineer – Jeff Guercio
- Engineer [Assistant] – Mark Guercio
- Illustration [Booklets] – John Hair (2)
- Lacquer Cut By – Arun*
- Lettering [Lettering Help] [At Bloomsbury Group] – Geoff Halpin
- Photography By [Booklets] – Michael Ross (3)
- Photography By [Inner Sleeve] – Terry O'Neill (2)
- Producer – Gus Dudgeon
- Remix [Remixed By] – Phil Dunne
- Vocals – Elton John
- Written-By – Elton John & Bernie Taupin
Notes
Pressed on black vinyl which appears translucent (mostly reddish) when held to strong light. Some pressings will appear more translucent than others; this is due to the unique process at the Tranco pressing plant.
Gatefold sleeve.
Includes poster, 'Scraps' book and 'Lyrics' book.
Engineered at Caribou Ranch, Colorado.
Remixed at The Marquee Studios, London.
Lettering help at Bloomsbury Group.
Illustration © Alan Aldridge.
Davey Johnstone and Nigel Olsson appear by courtesy of The Rocket Record Company, Nigel Olsson also by courtesy of Drumork Productions.
All selections published by Big Pig Music, Ltd.
Made in England.
DJM (Distributors) Limited. James House, 71-75 New Oxford Street, London WC1A 1DP.
Distributed by Pye Records (Sales) Limited.
© 1975 This Record Co. Limited.
℗ 1975 This Record Co. Limited.
Interpak by Shorewood Packaging Co. Ltd. England.
Track durations from digitised vinyl.
Runouts are etched.
Gatefold sleeve.
Includes poster, 'Scraps' book and 'Lyrics' book.
Engineered at Caribou Ranch, Colorado.
Remixed at The Marquee Studios, London.
Lettering help at Bloomsbury Group.
Illustration © Alan Aldridge.
Davey Johnstone and Nigel Olsson appear by courtesy of The Rocket Record Company, Nigel Olsson also by courtesy of Drumork Productions.
All selections published by Big Pig Music, Ltd.
Made in England.
DJM (Distributors) Limited. James House, 71-75 New Oxford Street, London WC1A 1DP.
Distributed by Pye Records (Sales) Limited.
© 1975 This Record Co. Limited.
℗ 1975 This Record Co. Limited.
Interpak by Shorewood Packaging Co. Ltd. England.
Track durations from digitised vinyl.
Runouts are etched.
Barcode and Other Identifiers
- Matrix / Runout (Side A label): DJLPX 1A
- Matrix / Runout (Side B label): DJLPX 1B
- Matrix / Runout (Side A runout, variant 1): DJLPX-1-A-1 ARUN
- Matrix / Runout (Side B runout, variant 1): DJLPX-1-B-1 ARUN
- Matrix / Runout (Side A runout, variant 2): DJLPX-1-A-4 ARUN
- Matrix / Runout (Side B runout, variant 2): DJLPX1 B-3
- Matrix / Runout (Side A runout, variant 3): DJLPX-1-A-1 2 A W ARUN
- Matrix / Runout (Side B runout, variant 3): DJLPX-1-B-1 1 A B ARUN
- Matrix / Runout (Side A runout, variant 4): DJLPX-1-A-1 8 ARUN BJ
- Matrix / Runout (Side B runout, variant 4): DJLPX-1-B-2 9 ARUN BH
Other Versions (5 of 248)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
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Captain Fantastic And The Brown Dirt Cowboy (LP, Album, Stereo, Gloversville Pressing, Gatefold) | MCA Records | MCA-2142 | US | 1975 | ||
Captain Fantastic And The Brown Dirt Cowboy (LP, Album, Stereo) | DJM Records (2) | DJLPX 1 | Europe | 1975 | |||
Recently Edited
|
Captain Fantastic And The Brown Dirt Cowboy (LP, Album, Stereo) | MCA Records | MCA-2142 | Canada | 1975 | ||
Recently Edited
|
Captain Fantastic And The Brown Dirt Cowboy (LP, Album) | DJM Records (2) | 2407 101 | 1975 | |||
Recently Edited
|
Captain Fantastic And The Brown Dirt Cowboy (LP, Album, Reissue, Stereo) | DJM Records (2) | DJH 20500, DJLPX 1 | UK | 1975 |
Recommendations
Reviews
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A couple I once knew introduced me to the album in the early ‘90’s. As a teenager in the eighties, I thought Elton was the devil (sorry Elton) as I hated his records from the ‘80’s. My friends insisted that I listen - I was blown away, I couldn’t believe how good this album is.
I started looking for it and found it almost immediately in a record shop in Belfast called Hector’s House (now long gone). I picked up a mint first edition (with the dark red vinyl) with all the inserts for 5 English pounds. I could hardly believe my luck.
The album is one of my all time favorites - and I’m a Velvet Underground/Captain Beefheart fanatic! I love everything about the album. The album is so good. Other people who have written reviews have done far better than I ever could, but what I will say is that Elton’s voice/singing on the album is astounding. He’s singing round this era (and his voice in general) is very underrated. The guy can sing like an angel.
If you have heard the greatest hits albums and want somewhere to start in Elton’s huge catalog, then start here. This is Elton’s greatest album, and Bernie’s lyrics are a huge part of the album’s success.
Highly recommended. -
My favourite Elton album. The sound quality of the A1/B1 is spectacular. Very open and airy.
You have to be careful with this one. Later post-1975 issues are also identified as 'DJLPX' with higher A/B numbers on the deadwax, but the record is black, not translucent red, and it doesn't sound as good as the A1/B1.
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Edited one year agoPhenomenal mixing on this record. And to pair with the good mixing, we have a wide open soundstage. There are quite a few instruments playing at any given moment, so the soundstage is a bit jam packed. Robust midrange, though mostly bass shy. Possible that there was some roll off on the bass during the tapes' EQ process. This pressing isn't completely silent and has some stubborn pops and cracks during the quiet parts on the beginning of some new tracks. It does need a little juice in the volume department, but shines pretty brilliantly thereafter.
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This is Elton's favourite and he says finest work. I bought it day of release and I am still listening to it. The packaging especially the booklets are extremely good and compliment the concept album - the music and vocals are the best and timeless
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Hi - should the Red Translucent vinyl version be separately listed? (As first listing is mix of black and red for sale?)
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I have a U.S. MCA-2142.
MCA-734 W28-II-I P.RC.
MCA-735 W30-II-II P.R.C.
Can anyone tell me more about this pressing? -
Excluding any limited editions:
original UK release is of the (translucent) red, with the poster having thee horizontal folds
giving it nine s. This folds down to the approximate size of the two inserts.
2nd edition red with the common six s poster (ie, two horizontal folds)
3rd edition black vinyl /standard inserts = this was post 1976 when other
Elton John LPs were being repressed with yellow text labels, but obviously
as this had it's own custom label, stayed as is..
4th edition black, non- g/f sleeve (no barcode), now with a credits Inner Sleeve, and the poster.
Release
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Data Correct
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