Bill Evans Trio* – Everybody Digs Bill Evans
Label: |
Riverside Records – RLP 12-291 |
|---|---|
Format: |
Vinyl
, LP, Album, Reissue, Mono
|
Country: |
US |
Released: |
|
Genre: |
Jazz |
Style: |
Post Bop |
Tracklist
| A1 | Minority | 5:20 | |
| A2 | Young And Foolish | 5:48 | |
| A3 | Lucky To Be Me | 3:35 | |
| A4 | Night And Day | 7:12 | |
| A5 | Epilogue | 0:38 | |
| B1 | Tenderly | 3:29 | |
| B2 | Peace Piece | 6:37 | |
| B3 | What Is There To Say | 4:49 | |
| B4 | Oleo | 4:04 | |
| B5 | Epilogue | 0:38 |
Companies, etc.
- Record Company – Bill Grauer Productions Inc.
- Recorded At – Reeves Sound Studios
Credits
- Bass – Sam Jones
- Design – Paul Bacon (2)
- Drums – Philly Joe Jones*
- Engineer – Jack Higgins
- Photography By – Lawrence Shustak*
- Piano – Bill Evans
- Producer, Liner Notes – Orrin Keepnews
Notes
Recorded at Reeves Sound Studio in New York December 1958.
1960 mono reissue, with cover variation. Normal sized 100mm Riverside labels.
Deep groove, 'Everybody Digs Bill Evans' not in italic letters.
1960 mono reissue, with cover variation. Normal sized 100mm Riverside labels.
Deep groove, 'Everybody Digs Bill Evans' not in italic letters.
Barcode and Other Identifiers
- Matrix / Runout (Side A): RLP-12-291 A
- Matrix / Runout (Side B): RLP-12-291 B
Other Versions (5 of 96)
View All| Title (Format) | Label | Cat# | Country | Year | |||
|---|---|---|---|---|---|---|---|
|
New Submission
|
Everybody Digs Bill Evans (LP, Album, Mono) | Riverside Records | RLP 12-291 | US | 1959 | ||
|
New Submission
|
Everybody Digs Bill Evans (LP, Album, Stereo) | Riverside Records | 1129, RLP 1129 | US | 1959 | ||
|
Needs Changes
|
Everybody Digs Bill Evans (LP, Album, Repress, Mono) | Riverside Records | 12-291, RLP 12-291 | US | 1960 | ||
|
New Submission
|
Everybody Digs Bill Evans (LP, Album, Repress, Stereo) | Riverside Records | RLP 1129 | US | 1960 | ||
|
New Submission
|
Everybody Digs Bill Evans (LP, Album, Mono, White/Blue Label) | Riverside Records | RLP 12-291 | UK | 1960 |
Recommendations
Reviews
-
Edited 2 months agoThis pressing is lacklustre, as compared to the 1st pressing. The 1st pressing sounds more upfront, punchier bass, the piano has more weight & attack! My copy after going through 2 rounds in the TCM still has numerous tics & pops in the background sounds better than this 1960 reissue which is in EX condition has way quieter backgrounds. Felt I wasted some money on buying this reissue! 🧐 -
Edited 3 years agoWhy is this listed as “unknown” date when it’s the 1960 repress but deep groove? Thanks in advance.
Release
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