Roger Waters – Us + Them
Label: |
Legacy – 19439707712 |
---|---|
Format: |
|
Country: |
US |
Released: |
|
Genre: |
Rock |
Style: |
Arena Rock |
Tracklist
1-1 | Intro | 1:42 | |
1-2 | Speak To Me | 0:29 | |
1-3 | Breathe | 2:48 | |
1-4 | One Of These Days | 5:27 | |
1-5 | Time | 5:53 | |
1-6 | Breathe (Reprise) | 1:09 | |
1-7 | The Great Gig In The Sky | 4:57 | |
1-8 | Welcome To The Machine | 8:02 | |
1-9 | Déjà Vu | 4:44 | |
1-10 | The Last Refugee | 4:22 | |
1-11 | Picture That | 6:47 | |
1-12 | Wish You Were Here | 5:01 | |
1-13 | The Happiest Days Of Our Lives | 1:36 | |
1-14 | Another Brick In The Wall Part 2 | 3:36 | |
1-15 | Another Brick In The Wall Part 3 | 1:36 | |
2-1 | Dogs | 15:59 | |
2-2 | Pigs (Three Different Ones) | 11:37 | |
2-3 | Money | 7:23 | |
2-4 | Us & Them | 7:53 | |
2-5 | Brain Damage | 4:32 | |
2-6 | Eclipse | 4:30 | |
2-7 | The Last Refugee (Reprise) | 1:28 | |
2-8 | Déjà Vu (Reprise) | 2:30 |
Companies, etc.
- Licensed To – Columbia Records
- Distributed By – Sony Music Entertainment
- Phonographic Copyright ℗ – US & THEM Productions Limited
- Copyright © – US & THEM Productions Limited
- Published By – Roger Waters Music Overseas Ltd.
- Published By – Pink Floyd Music Publishers Ltd.
- Published By – TRO
- Recorded At – Ziggo Dome
- Mastered At – Gateway Mastering
- Glass Mastered At – Arvato, Mexico – 57368883
- Glass Mastered At – Arvato, Mexico – 57368889
Credits
- Co-producer [Associate Producer] – Kate Watkins
- Design – Dan Ichimoto
- Drums – Joey Waronker
- Effects [Assistant Effects Editor] – Helen Miles (4)
- Engineer [Assistant Engineer at Real World Studios] – Katie May (2)
- Engineer [Audio Engineer] – Steve Massey
- Engineer [Head Engineer at Real World Studios] – Oli Jacobs
- Engineer [Studio Engineer at Real World Studios] – Oli Middleton
- Executive-Producer – Mark Fenwick
- Film Director [Directed By] – Sean Evans (4)
- Film Producer [Produced By] – Roger Waters
- Guitar [Guitars] – David Kilminster
- Guitar [Guitars], Bass – Gus Seyffert
- Guitar [Guitars], Vocals – Jonathan Wilson
- Keyboards – Bo Koster
- Keyboards, Guitar [Guitars] – Jon Carin
- Liner Notes – Kory Grow
- Mastered By [Stereo Version Mastered By] – Bob Ludwig
- Mixed By [Music Mixed By] – Sam Petts-Davies
- Mixed By [Re-Recording Mixer] – Adam Scrivener
- Photography By – Kate Izor
- Post Production [Post Production Audio Engineering] – Vira Byramji
- Post Production [Post Production Mix Manager] – James Doyle
- Post Production [Post Production Runners] – Pablo Reais Hermann
- Post Production [Post Production Sound By] – Pinewood Studios
- Recorded By [Live Recording By] – Jon Lemon
- Recorded By [Live Sound Recording By] – Red TX
- Recording Supervisor [Sound Supervisor] – Ollie Nesham
- Recording Supervisor [Supervising Sound Editor], Sound Designer – Peter Hanson (6)
- Saxophone – Ian Ritchie
- Sound Designer [Additional Sound Design] – Kate Izor
- Technician [Mix Technician] – Tim Burton (7)
- Vocals – Lucius- Jess Wolfe and Holly Laessig*
- Vocals [Uncredited], Bass [Uncredited] – Roger Waters
Notes
Full title as shown on release:
“US + THEM (Soundtrack To The Film By Sean Evans And Roger Waters)”
From the booklet:
“Concerts Filmed & Recorded at The Ziggodome, Amsterdam, The Netherlands”
From the rear cover:
“...filmed in Amsterdam during Roger Waters’ European tour of 2017 and 2018...”
Track durations do not appear on this release.
Six- DigiFile (measuring 5½" x 6³⁄₁₆") release including a twenty-four page booklet.
From the rear cover:
“Made in Mexico.”
“US + THEM (Soundtrack To The Film By Sean Evans And Roger Waters)”
From the booklet:
“Concerts Filmed & Recorded at The Ziggodome, Amsterdam, The Netherlands”
From the rear cover:
“...filmed in Amsterdam during Roger Waters’ European tour of 2017 and 2018...”
Track durations do not appear on this release.
Six- DigiFile (measuring 5½" x 6³⁄₁₆") release including a twenty-four page booklet.
From the rear cover:
“Made in Mexico.”
Barcode and Other Identifiers
- Barcode (Text): 1 94397 07712 4
- Barcode (Scanned): 0194397077124
- Matrix / Runout (Disc One): 57368883/19439707712RD1 21
- Mastering SID Code (Disc One): IFPI LP74
- Mould SID Code (Disc One): IFPI 1018
- Matrix / Runout (Disc Two): 57368889/19439707712RD2 21
- Mastering SID Code (Disc Two): IFPI LP74
- Mould SID Code (Disc Two): IFPI 10K0
Other Versions (5 of 18)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
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Recently Edited
|
Us + Them (3×LP, Album, Tri-fold) | Sony Music | 19439707691 | Europe | 2020 | ||
New Submission
|
Us + Them (3×LP, Album) | Legacy | 19439707691 | US | 2020 | ||
New Submission
|
Us + Them (2×CD, Album, Stereo) | Sony Music | 19439784242 | Australia | 2020 | ||
Us + Them (DVD, DVD-Video, NTSC, Copy Protected) | Sony Music | 19439707729 | Europe | 2020 | |||
Recently Edited
|
Us + Them (2×CD, Album, Stereo) | Sony Music | 19439707712 | Europe | 2020 |
Recommendations
Reviews
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I have bought two copies both were warped and returned to the store I bought them, just poor quality al round
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To have attended a show of this tour (Lyon), I must say that I am extremely disappointed with this recording. This one is of quality, of course, it is clean and well done but then what boredom listening to this album. It's flat, without relief, you can hardly hear the audience. To be honest, I have bootlegs from this tour that sound a hundred times better than this recording. Disappointed.
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Edited 4 years agoI like how Roger is still subtly having a dig at the Floyd by his use of the title. As Rick always said "Roger always has something to say" most of it goes over most peoples heads. This vinyl does have a great sound, and has been produced in a studio way for clarity. it even contains lots of bum notes in various tracks, good to see some authenticity, over a Pro Tools product. You can also see how the last studio album fits into the mix very well. US moving on
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